MCM Comic Con London: Mandy - Review

They say there is a fine line between genius and madness. If that is true then Nicolas Cage has been tightrope walking along that line his entire career. He more than often slips off it and takes a tumble but bless him, he just gets right back up on that line and continues moving forward. Kind of like a shark, he never stops moving forward. It is true that he had made his fair share of absolute stinkers in his time... but every now and then there comes a performance that is worthy of the talent that brought us Wild At Heart, Leaving Las Vegas, Adaptation, Con Air and Kick Ass.
Thankfully Panos Cosmatos's Mandy is very much on the side of genius and showcases Cage at his very, very best.
It was rumoured that initially, Cosmatos offered Cage the role of cult leader Jeremiah Sand (Linus Roache) but he turned it down, preferring to play Red Miller instead. It is easy to see why Cosmatos went down this road intially. Watching the character of Sand, it would have allowed Cage to do his bug-eyed, wild ride shouting and screaming act he has done ad nauseum. Instead the character of Red taps into the quieter, more introspective Cage that he has channeled in Joe and Bringing Out The Dead.
A lumberjack who is handy with a chainsaw (this may prove handy later on similar to the way Ripley operated a Power Loader in Aliens), Red is completely in love with his girlfriend, the enigmatic artist Mandy (Andrea Risenborough) but tragedy ensues when she catches the eye of Sand's cult leading to them employing a crazed, demon biker gang to instigate a home invasion. Her abduction is what flicks the switch in Red and allows Cage to slowly dial up his performance all the way to 11 by the final reel.
The entire film is shot like an LSD-fuelled hallucination or fever dream and once it finishes, audiences may indeed question if what they watched had actually happened.
The cinematography is out-of-this-world, using all sorts of tricks, filters and exposures to create the effect that you are under the effect of a waking nightmare. Amplified by Johann Johansson's final score that is full of 80s synth and bass notes so loud they threaten to shake the speakers off the walls of the cinema auditorium.
Mandy is one hell of a trip and certainly not for everyone. At times, it is reminiscent of the work of Nicolas Winding Refn but if someone had taken the pristine sheen of his 35mm print and dragged it across concrete.
As Barry Manilow might have said:
"Oh Mandy, you came and you certainly ain't faking. Those images won't go away, oh Mandy.
Oh Mandy, Nic Cage's performance left us shaking. You need to watch this today oh Mandy"

4 stars

MCM Comic Con London Review - Day 1

At the end of October I had the pleasure of attending MCM Comic Con London, the UK's largest pop culture event, which took place at the ExCel centre.

Having attended New York Comic Con back in 2013, this was my first major Comic Con since then and my first on home soil, so the opportunity to immerse myself in the culture and unleash my inner geek for 72 hours was very exciting.

What follows is a quick rundown of each day's activities:

Day 1

• Hasbro
• Horror Through The Generations panel
• MCM Sing-A-Long: The Greatest Showman

As a huge Star Wars fan (especially since the sequels breathed new life into my wavering fandom), my immediate interest was drawn to the Han and Leia Black Series 2-pack that was available at the Hasbro booth, along with a few Transformers and Marvel Con Exclusives.

Having experienced the rushes and queues when I attended NYCC, as soon as the doors opened it was a mad dash to the front of the line to secure a wristband to purchase the exclusive of your choice at a certain time period. This guaranteed you the item you wanted but at a time that suited you, allowing you to explore and enjoy the Con and not be stuck in a line for hours...
Which is what you had to experience if you were after one of the Funko exclusives as their queue stretched in a complete loop right around the stand in the centre of the Con. It was a genuine surprise to see how busy the Funko stand was compared to the Hasbro one but I guess this is just what the collectable market is moving to.
Back at the Hasbro stand, the stunning exclusives were on display including a Marvel Defenders 6 pack of figures in custom subway train packaging (I did enjoy how Iron Fist is made to sit on his own to the side!)

and the chance to try your best Thanos impression inside a lifesize action figure box.

With my exclusive secured, along with a new worry of how I could take this home in my carry on luggage, it was time to explore the rest of the Con.

On the way to the main stage for an afternoon of panels, there was plenty time to admire some of the amazing cosplay on offer. From a quick tally, it would appear that the most popular options this weekend would be Spider-Man from Homecoming with yellow blazer and handy backpack, Deadpool and his arch-nemesis Hugh Jackman from The Greatest Showman!

The first panel of the day was Horror Through The Generations with Tony Todd (Candyman), Linnea Quigley (The Return Of The Living Dead), Katherine Isabelle (Ginger Snaps), Ray Santiago (Ash vs Evil Dead) and Kane Hodder (Friday the 13th).

This was an entertaining panel that allowed the actors behind some of Horror's greatest icons to discuss the current state of the genre. A transcription of the talk can be found on The Nerd Party's Twitter account where we live tweeted the session.

The day ended with one of MCM Comic Con's traditions. A Sing-A-Long screening and this year it was the pop culture phenomenon that is The Greatest Showman.

Nearly one year on from its release in cinema's and this film still had the capacity crowd in the palm of its hand with everyone singing loud to every song. The compere even got some of the audience who had cosplayed as the characters to come up during "their" songs before it culminated with a entire stage full of P.T. Barnum's whipping the crowd into a frenzy as The Greatest Show came to an end, putting the perfect full stop on day one of the Con.