Road to Infinity War - Phase 1 - The Avengers

The Avengers was the film that proved dreams really do come true. They came true for Kevin Feige. For Stan Lee. For all Marvel fans.
For all the talk about "Infinity War is the most ambitious crossover film event of all-time", that would not have been possible if The Avengers.
The comic book movie had only really begun to find its feet again in 2008 following the disastrous Batman & Robin nearly destroyed the genre. Sure there was the odd success like X-Men or Spider-Man but 2008 saw both Marvel and D.C. delivering the goods with Iron Man and The Dark Knight.
Doubling down on the success of their individual movies, Marvel Studios now successfully pulled off something that seemed impossible at that stage. A superhero team up where all their heroes appeared in the same film... not only that but it totally worked and a lot of that credit must go to Joss Whedon.
Best known for Buffy The Vampire Slayer, Whedon had only directed one feature film at this point but that film was Serenity. A big screen sequel to his cancelled TV show Firefly, it proved that he could perfectly balance an ensemble cast in a movie. Never losing sight on the story but also giving every character their chance to shine... and also never afraid to kill someone off if it was serving the plot!
It might not be the *best* MCU film in the series now (that title goes to Civil War) but it is probably has the highest number of "geek out", "mark out" moments that had fans cheering in the cinemas.
The first half of the film does get bogged down a little bit by having to reintroduce all the main characters into the story but once they are all aboard the Helicarrier, it is just pure comic book joy.
One of the best scenes, that shows how well Whedon understands and showcases the characters and relationships between them, is when the heroes start to argue with each other after it is revealed that Fury is using the Tesseract to build weapons, which he blames on Thor which sparks Tony and Steve to have a pissing contest, all the while threatening to set off the Hulk (played with wit and intensity by the new Bruce Banner Mark Ruffalo).
Once the film gets to the final battle, Whedon gives the fans exactly what they want with that incredible 360 degree shot of the team finally assembled; the tracking shot of them all in action against the Chitauri and the Hulk/Loki "Puny God" exchange.
It was a game changer for the genre, the first movie to take over $200 million in its opening weekend and showed just what could be achieved by Marvel Studios and the Extended Universe idea. Something that no other studio has successfully managed to replicate.

Infinity Stone Counter = 2 (Space Stone and Mind Stone)

Road to Infinity War - Phase 1 - The Incredible Hulk (2008)

One forgets that The Incredible Hulk came out a mere 6 weeks after Iron Man. The MCU were either very, VERY keen to build on the success OR that is what happens when you were dealing with multiple distributors on your films (until Disney bought Marvel Studios, Paramount were releasing the Iron Man, Cap and Thor movies while Universal still had Hulk. Actually even to this day which is why you don't see a solo Hulk movie).
Incredible Hulk is viewed by many as bottom tier Marvel. It is not a bad film. It's certainly a hell of a lot better than Ang Lee's 2003 Hulk with the mutant poodles!
It is just not as good or as slick and polished as the rest of their catalogue. Indeed, the MCU was clearly still finding its feet here as evidenced by Thunderbolt Ross's references to the Super Soldier plan not tying in perfectly with Captain America: The First Avenger.
Also, they seemed a little bit unsure of themselves and had the post-credit sting of Tony Stark telling Ross that they were putting a team together before the credits.
To think this is the same studio that gave us the troll-heavy Captain America sting at the end of Spider-Man Homecoming.

The Incredible Hulk always seems slightly out of place in the MCU and is mostly remembered for their handling of Edward Norton who did no publicity for the film after they rejected his 3 hour cut that was more of a Jekyll and Hyde character study in favour of retooling it as a two hour "Hulk Smash" action film.
The effects never really worked as the CGI Hulk never really felt like Norton's Banner. Something that would be fixed when Mark Ruffalo would be cast and did performance capture as the Hulk. Although it was nice to see Lou Ferrigno provide the voice and make a cameo.
It certainly wasn't all bad and there are some really lovely, fun moments such as Banner getting "You wouldn't like me when I'm angry" wrong in Portuguese or stopping himself from getting intimate with Betty Ross because his heart rate is getting too high and fearful he may Hulk out, or Craig Armstrong (delivering one of the strongest MCU scores) using the "sad walking away" music from the TV show.
In terms of references and world building, there is a nod to the Ultimates series of comics where they drop Banner out of a helicopter at an enemy to induce a change. This is also the series that introduced the Samuel L. Jackson version of Nick Fury and so gave comic fans an idea of where the over-arching story might be going.

Infinity Stone Counter: Still zero!

Avengers: Age Of Ultron - Review

In 2012's The Avengers, Nick Fury and Joss Whedon were both faced with an impossible task:

How do you solve a problem like Maria Hill? Just kidding.

No, I obviously meant how do you bring together Marvel's greatest individual superheroes together into one successful and cohesive unit?

Well thanks to Whedon's writing and directing skills, the answer was... "Very easily" because it became the most successful comic book movie of all-time.

It couldn't have been easy coming back to try and achieve the impossible one more time. Particularly when Marvel Studios have really raised their game in Phase 2, with them on their best run of movies so far with Iron Man 3, Winter Soldier and Guardians Of The Galaxy (we'll skip over Thor: The Dark World).

Thankfully Joss is up to the task, delivering a film that simultaneously feels bigger in scale but more intimate in terms of character development.

Following an attack on a HYDRA base, Tony Stark is haunted by a vision of a world (and Avengers) defeated by the return of the Chitauri army.

He creates the Ultron program, designed to be "a suit of armour around the world", but as anyone who has ever seen a movie about artificial intelligence would know, it is not the best idea as any Skynet-esque defence system will soon realise the best way to protect the Earth is to rid it of its most destructive force... Humans.

And so Ultron is born. Brought to life (so to speak) by a fantastic vocal performance by James Spader who brings charisma, humour and villainy in spades.

He recruits two "Enhanced" characters, whatever you do don't call them "mutants", in the form of super fast Pietro and telekinetic Wanda Maximoff to take down the Avengers whilst preparing his masterplan.

As if that wasn't enough for them to deal with, the Avengers all have their own issues going on:

Stark is faced with the Frankenstein-esque guilt of his creation. Black Widow and Bruce Banner are getting close but the Hulk keeps getting in the way, with them sharing one particular exchange reminding us of Whedon's work in Buffy. And it nice to see Hawkeye finally get a proper story arc with a surprise reveal as to his past.

As mentioned before, the action set pieces are HUGE and while at the end it once again falls into the third act trap of people fighting metal men but interestingly there is continuous mention of how Captain America and the gang focus on saving lives and minimising damage.

Was this a deliberate middle finger to Man Of Steel? I for one like to think so.

Every single member (of the ever expanding team) gets a chance to shine with the movie's most crowd-pleasing moment going to new character Vision.

On first viewing there is just so much happening in Age Of Ultron that it seems overwhelming and certain bits can feel lost in the overall mix but it could benefit from repeat viewings.

Overall Whedon has once again assembled a great movie out of Hollywood's biggest and busiest franchise and his absence going forward will be sorely missed.

In the meantime with Marvel Studios advancing to Phase 3 and rumours of the fall-out of this film affecting the plot of Captain America: Civil War does this make Age Of Ultron technically aka Ul-Tron Legacy?

4 stars

Begin Again - review

There is a moment in the trailer of Begin Again where the drunk, divorced A&R man Dan (Mark Ruffalo) is fired and screams that he is taking his client list with him only for his former partner to tell him "This isn't Jerry Maguire".

Only, it kind of is. Albeit a version set in the music industry rather than sports.

Just like Jerry, Dan hits rock bottom. Having lost his job, wife, etc he attempts to make it all the way back to the top with the help of one client and a beautiful woman (her all rolled into the form of Greta aka Keira Knightley).

Knightley's voice is a huge surprise as she has a sweet vulnerability but a tone that is reminiscent of Aimee Mann and this is most apparent on her solo version of the song Lost Stars.

They meet at an open mic night where they suffering from heartbreak and rejection. There is a lovely juxtaposition where we see the song 'A Step You Can't Take Back' from Knightley's nervous acoustic performance and then from Ruffalo's where he sees the potential in the song and adds in an imaginary band to bring it to life.

He persuades her to record an outdoor album that will help to mend his career and mend her broken heart at the hands of ex-boyfriend and now famous musician played by Adam Levine.

Many of the songs feature heavily in the film but rather than just being filler, they all have a purpose and sentiment which furthers the plot and it becomes a non-traditional musical, similar to the director's first film Once.

A song accidentally reveals an infidelity, a drunken song on voicemail sparks a potential reconciliation, etc but more than this they act as a love song but the object of its affection is in fact the city of New York.

Carney clearly has an affinity for the city that never sleeps. After all it is where the Guy in Once travels to at the end of the film to seek fame and fortune. Did he make it like Levine's Dave Kohl or did he go back to busking like Greta's best mate Steve (James Corden).

This love for the city shines through in a sequence where Dan and Greta wander through the city at night linked by a headphone splitter, sharing stories, memories and songs like Luck Be A Lady and For Once In My Life.

Similar to the way Greta criticises Dave for his over-production on Lost Stars, the song she wrote for him, Begin Again does seem more flashy and stylised than the low-budget immediacy and improvisational nature of Once but it has a charm of its own that really captures the heart of the audience, with much of it down to the chemistry between the two leads. Although like his first film, the director is not afraid to avoid typical Hollywood conventions in terms of how this relationship plays out.

Together they create their outdoor album and all their hopes and dreams come together in one perfect moment as they perform Tell Me If You Wanna Go Home on a rooftop in Manhattan. Dan's crazy idea is working and could prove his redemption, Greta will become a star and Dan's daughter surprises everyone by finding herself in guitar on the track.

The film was originally called "Can A Song Save Your Life?" and while it might do that for the main characters, it certainly provides several tunes that will be saved to my iPod as John Carney proves that he is not just a Once trick pony as lightning strikes twice with Begin Again.

4 stars