Road to Infinity War - Phase 3 - Spider-Man Homecoming (2017)

Looking at that poster, you would be forgiven for thinking that Spider-Man Homecoming was actually Iron Man 3.5. In the same way that Civil War was potentially Avengers 2.5.
Thankfully, this was purely marketing and the focus is aimed straight at Peter Parker with Tony Stark appearing in a strictly advisorly capacity (either remotely or in person).
While there was a huge amount of excitement when it was announced that Sony and Marvel Studios had made a deal to have the character appear in the MCU, fans questioned whether we needed to see *another* version of Spider-Man so soon after Andrew Garfield's (less than) Amazing Spider-Man.
Within 30 seconds of Civil War, Tom Holland proved that he was the Peter Parker/Spider-Man we didn't realise we needed until that moment. What a difference it made to see an actual teenager play the character who is an awkward, excitable teenager rather than an (admittedly talented) guy in his late-twenties/early thirties.
Homecoming builds on those solid foundations and continues to focus on Peter coming to term with his powers and desire to join the Avengers, all while trying to balance the pressures of high school. Although the Homecoming title can refer to high school and Spidey returning to where he belongs in the MCU.
We can gloss over the fact that Peter and May's apartment seems to change layout and decoration in the week between Civil War and the start of Homecoming because it is so assured in the rest of its storytelling.
Kevin Feige and director Jon Waits know that those watching the Marvel Cinematic Universe have probably already seen the five previous Spider-Man films. (On a side note, let's not forget that in the 16 years we have had three different actors play Spidey over seven films, we only had Hugh Jackman as Wolverine across nine films!)
So they wisely decided that we don't need to see another origin story of how Peter got his powers (indeed it was brushed off by Tony in Civil War as something he didn't need to hear) and we don't need to see the death of Uncle Ben again...

What they do manage to do is subvert certain aspects of what we expect to see. For example, "hot" Aunt May played by Marisa Tomei; no "with great power comes great responsibility" speech from surrogate father figure Tony Stark; training sequences not with his natural abilities but with Stark tech instead such as the "training wheels" program.
The film provides its great share of action sequences, including that incredible vertigo-inducing shot of Spidey standing atop the Washington monument. *Notice how MCU Spidey is not afraid to step outside of New York if duty calls? Makes him more than just your "friendly neighbourhood Spider-Man"*
There is also the Staten Island Ferry set piece that simultaneously harks back to Spider-Man 2's train rescue and betters it (possibly because it doesn't feature Tobey Maguire's constipated face).
Where this film, and the other previous sixteen films by Marvel Studios, raise the bar for the genre and connect with audiences is in character. It is the performances, the writing and development over the ten years that causing such a deep connection that will pay off in Infinity War.
It is nice to see a vulnerable side to a superhero and the moment when Peter cries out when being crushed by rubble gets you, what is the phrase the kids use, "right in the feels". He also has conflicted emotions regarding the villain of the piece, Michael Keaton's Vulture.
It was a surprise to see Keaton in a Marvel movie given his past as Batman but he is one of the MCU's best villains... even if it does conjure up comparisons to his other "superhero" outing Birdman.
Adrian Toomes, screwed over by the system, justifies what he is doing because it helps him provide for his family. Plus Robin Hood-style, he is only stealing from the rich and powerful. He has had no issues with the Avengers as they have bigger fish to fry but then some kid in a onesie starts messing with his business. Spider-Man and the Vulture are put on a collision course that comes to a head in one of the most surprising, jaw-dropping moments in the MCU and 2017 when Peter knocks on the door of his date Liz's house only for him (and the audience) to find out that Toomes is her father.
The following scene in the car where Keaton figures out Parker's secret and proceeds to thank him for saving his daughter's life but threaten to kill him if he gets in his way again is perfectly suited to Keaton who can switch from charming to chilling in an instant.
Thankfully unlike the original Spider-Man and other MCU movies, this iteration of the character does not see the villain killed off at the end of the film which should hopefully allow for a more organic development of the Sinister Six and a welcome return for Vulture.
As for how Sony's Venom starring Tom Hardy will fit into all this? That's anyone's guess!
The future for Spider-Man and Tom Holland is very bright with a nice allusion at the end of the film to the Civil War comic storyline where Iron Man introduces Spidey to the world as the Iron Spider. Something we definitely will see very soon in Infinity War. Although one does worry for Peter. If Tony Stark does die at the hands of Thanos, how will Parker cope losing a third father figure in his lifetime?!


Infinity Stone counter = 5

Road to Infinity War - Phase 2 - Iron Man 3

The Avengers had opened to $200 million in its first weekend. It would go on to make over $1.5 billion worldwide.
It would be safe to say that Marvel Studios were feeling pretty pleased with themselves at this point. Yet instead of resting on their laurels and sticking to a tried and tested formula, they very riskily and daringly threw out the rule book with Iron Man 3 and hired Shane Black to write and direct.
Shane Black was best known for being a screenwriter in the Eighties, cranking out the screenplays for such hits as Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight, but it was Kiss Kiss Bang Bang that landed him the job with Marvel.
His hilarious neo-noir directorial debut in 2005 based on his own script was the film that offered Robert Downey Jr a way back into the Hollywood elite and it was his performance in this film that persuaded Feige et all to give him a chance as Tony Stark. One he has seized with both hands and never looked back.
For any fans of Shane Black, it is clear that this has his fingerprints all over it; flashbacks, voiceover narration, whipsmart dialogue and it is set at Christmas!
It felt fresh, daring and dangerous compared to everything that Marvel had produced before. This took Tony Stark out of the Iron Man suit and forced him to show that he could be a hero in his own right.
Of course, the most controversial, and divisive, moment comes at the start of the third act when it is revealed that the villainous terrorist The Mandarin is actually a drunken, out of work British actor called Trevor Slattery, portraying a character created to take the blame for Guy Pearce's experiments gone wrong.
The twist works because The Mandarin is a racist stereotype from the Sixties and it would have been met with controversy if they had gone down that route, and it works because of Ben Kingsley, sorry Sir Ben Kingsley's performance. He is suitably menacing as the face of the Ten Rings and also hilarious as Trevor Slattery.
It sets the bar high for Phase 2 in that anything can happen. Well except the death of Iron Man that is. I mean, you have him making this potentially huge sacrifice play at the end of The Avengers but it lacked the emotional weight due to the fact that Iron Man 3 had already been announced.
Looking back at the Marvel Cinematic Universe now during Phase 2, there is so much happening within a tight time frame that this leads to some odd story choices which impact repeat viewings of some of the films. Iron Man 3 in particular.
At the end of this film, Tony Stark essentially retires as Iron Man, even going so far as to remove the arc reactor from his chest. Yet, a couple of years later, there he is back as Iron Man in Age of Ultron where Whedon seems to have ignored most of what happened to him thematically.
Still, it is difficult to be that negative about a film being narrated by Tony that you discover in the post-credit sting that is actually being told to Bruce Banner who has fallen asleep, because he is not that kind of doctor.

Infinity Stone Counter = 2

Road to Infinity War - Phase 1 - Iron Man 2

"I'm not saying that from the ashes of captivity, never has a phoenix metaphor been more personified"
It is difficult if this line was talking about Tony Stark, warmonger turned superhero, or Robert Downey Jr, troubled actor turned A-list superstar.
After the surprise success of Iron Man, the third film in the MCU was to continue the adventures of "Shellhead".
Looking back at it now, it is full of surprises such as the screenplay being written by Justin Theroux. The appearance of later Fox superheroes Kate Mara (Sue Storm) and Olivia Munn (Psylocke) in tiny roles. It is the film that brought together Hollywood couple Sam Rockwell and Leslie Bibb.
It also deals with the casting change of James Rhodes in a similar way to the introduction of George Lazenby as Bond with his "This never happened to the other guy". When Don Cheadle is introduced, there is the wonderful exchange between Stark and Rhodey:
"Didn't expect to see you here." "It's me. I'm here. Deal with it"
Heroes were present and correct. It's a shame that the villains didn't quite match them. Mickey Rourke's Whiplash is wasted after an entertaining action sequence in Monte Carlo. Although not a match for Iron Man physically, there is more fun to be had from Sam Rockwell's rival arms dealer Justin Hammer (love the way he refers to Stark as "Anthony") and Garry Shandling's Senator Stern.
Stern's committee hearing is one example of how Marvel is able to ground their films in reality, with a very real discussion of how Iron Man's actions on foreign soil would affect America and how he is not accountable to the government. This is something that will come round full circle in Age of Ultron and Civil War.
The issue with Iron Man 2 is not the CGI man in flying metal suit battles multiple other flying metal suits but that it was less concerned with being an Iron Man sequel as it needing to be an Avengers prequel.
Whereas the original Iron Man only had a couple of nods to the wider Marvel universe, this film burns through references faster than Tony Stark burns through palladium cores for his arc reactors.
There could have been a fantastic take on the Iron Man "Genie in a bottle" storyline from the comics where Tony descends into alcoholism to cope with the pain that his arc reactor is causing him.
Instead we get multiple references to SHIELD, Nick Fury, Captain America's shield and the introduction of Scarlett Johansson as Natasha Romanoff aka Black Widow.
Jon Favreau's direction keeps things moving at a good pace however and manages to showcase Stark's inventiveness and action credentials. He even manages to give himself a chance to use his UFC skills in a fight... even if he is upstaged by Black Widow!
Overall, it is the weakest of the Iron Man trilogy but does serve as an effective building block in the foundations of the MCU.

Infinity Stone Counter = Big Fat Zero

Road to Infinity War - Phase 1 - Iron Man (2008)

Has it really been ten years since it all began? It's hard to believe right Jeremy Piven?

Who would have believed that a movie directed by the guy who was Pete Becker on Friends, about a second tier Marvel hero played by a post-jail & troubles Robert Downey Jr would launch a billion dollar franchise that is still going from strength to strength 18 films down the line?
But the Marvel Cinematic Universe hit the ground running and they are forever indebted to RDJ because his performance as "genius, billionaire, playboy, philanthropist" Tony Stark is note perfect.
The film is fast, loose, full of colour, wit and boundless energy. A world away from DC and Nolan's (excellent) but "Why so serious?" Dark Knight trilogy.
The references to the comics are there for the fans (the original Mark I suit) but never at the expense of an audience entirely new to this world.
It also does a subtle job of universe building. There is Rhodey's look at the Mark II suit and quipping "Next time baby" (sadly not for Terrence Howard though!), and the introduction of SHIELD through Agent Coulson's character who would become pivotal to Phase I.
But it was the post-credit sting with Samuel L. Jackson's Nick Fury turning up at Stark mansion to talk about the Avengers initiative that sent fanboys into meltdown.
It isn't perfect. Jeff Bridges is very "un-Dude" but ultimately won't rank highly on the list of top Marvel villains (although I would dare you to come up with a Top 5 list of truly memorable MCU villains that doesn't have to include Wilson Fisk or Kilgrave and therefore not canon).
One can also see the beginnings of the MCU's biggest criticism. You know, the one where Act 3 descends into two (or twenty) CGI men in metal suits smashing into each other.
However Downey Jr is a charisma fuelled arc reactor that powers this entry to classic comic book movie status and arguably one of the finest and most complete superhero origin stories.

Infinity Stone Counter: 0

Avengers: Age Of Ultron - Review

In 2012's The Avengers, Nick Fury and Joss Whedon were both faced with an impossible task:

How do you solve a problem like Maria Hill? Just kidding.

No, I obviously meant how do you bring together Marvel's greatest individual superheroes together into one successful and cohesive unit?

Well thanks to Whedon's writing and directing skills, the answer was... "Very easily" because it became the most successful comic book movie of all-time.

It couldn't have been easy coming back to try and achieve the impossible one more time. Particularly when Marvel Studios have really raised their game in Phase 2, with them on their best run of movies so far with Iron Man 3, Winter Soldier and Guardians Of The Galaxy (we'll skip over Thor: The Dark World).

Thankfully Joss is up to the task, delivering a film that simultaneously feels bigger in scale but more intimate in terms of character development.

Following an attack on a HYDRA base, Tony Stark is haunted by a vision of a world (and Avengers) defeated by the return of the Chitauri army.

He creates the Ultron program, designed to be "a suit of armour around the world", but as anyone who has ever seen a movie about artificial intelligence would know, it is not the best idea as any Skynet-esque defence system will soon realise the best way to protect the Earth is to rid it of its most destructive force... Humans.

And so Ultron is born. Brought to life (so to speak) by a fantastic vocal performance by James Spader who brings charisma, humour and villainy in spades.

He recruits two "Enhanced" characters, whatever you do don't call them "mutants", in the form of super fast Pietro and telekinetic Wanda Maximoff to take down the Avengers whilst preparing his masterplan.

As if that wasn't enough for them to deal with, the Avengers all have their own issues going on:

Stark is faced with the Frankenstein-esque guilt of his creation. Black Widow and Bruce Banner are getting close but the Hulk keeps getting in the way, with them sharing one particular exchange reminding us of Whedon's work in Buffy. And it nice to see Hawkeye finally get a proper story arc with a surprise reveal as to his past.

As mentioned before, the action set pieces are HUGE and while at the end it once again falls into the third act trap of people fighting metal men but interestingly there is continuous mention of how Captain America and the gang focus on saving lives and minimising damage.

Was this a deliberate middle finger to Man Of Steel? I for one like to think so.

Every single member (of the ever expanding team) gets a chance to shine with the movie's most crowd-pleasing moment going to new character Vision.

On first viewing there is just so much happening in Age Of Ultron that it seems overwhelming and certain bits can feel lost in the overall mix but it could benefit from repeat viewings.

Overall Whedon has once again assembled a great movie out of Hollywood's biggest and busiest franchise and his absence going forward will be sorely missed.

In the meantime with Marvel Studios advancing to Phase 3 and rumours of the fall-out of this film affecting the plot of Captain America: Civil War does this make Age Of Ultron technically aka Ul-Tron Legacy?

4 stars

The Judge - review

On paper, The Judge is a slam dunk of a case for any vicious film critic. "Judge not, less ye be judged!" would have made for a much better tagline!

The story of a flash, self-centred city lawyer returning to his home town for the funeral of his mother, visit his family he hasn't seen in years including his Judge father who despise each other only to end up representing him in a murder case and at the same time exorcise old family demons sounds like a cliched, cloying courtroom drama. Think Elizabethtown meets John Grisham.

It certainly starts off with a strong case for the prosecution with one of the worst CGI shots in recent memory, a series of "returning home" beats straight out of Grosse Pointe Blank, Elizabethtown and Young Adult, a mentally disabled brother character who's only reason for his disability seems to be to provide humour at his expense and Downey Jr's performance seemingly set on cruise control.

However it is not an open and shut case.

For the defence there is good support from Billy Bob Thornton as the rival lawyer and a sassy spark from Vera Farmiga as the one that got away (but now has a daughter who he may have got to know a bit too well) but the film rests on the strong on screen relationship between Downey Jr and Duvall. It starts of frosty but as the walls between them come down there are many touching moments that are well played by both actors that lead to an emotional catharsis in the courtroom as Downey's lawyer makes a desperate last roll of the dice and secrets from both sides are revealed.

The jury might be out on this one but there is enough goodwill to Downey Jr and Duvall to give this a stay of execution.

3 stars

Marvel Marathon - The Avengers Assemble during The Adventures of Agent Coulson

Ever since Samuel L. Jackson turned up at the end of Iron Man, in 2008, talking to Tony Stark about the Avenger initiative, Marvel Studios have been building towards this epic moment. The release of The Avengers (or Avengers Assemble for us "stupid Brits" who might confuse it with the TV series or terrible 1998 movie of the adventures of John Steed and Emma Peel) is a landmark moment in superhero movies as it is the first time that characters from different franchises have appeared in one movie.
To get myself in the mood for the film, I am revisiting the entire Marvel studios canon of films leading up to Avengers in a giant Marvel marathon where I'll pick out the best fanboy moments, Stan Lee cameos and how much Avenger assembling takes place in each film along, etc.
I'll also take a look at the evolution of my own personal favourite character within the series, Agent Coulson played by the fabulous Clark Gregg. Much like how you can view Star Wars through the experiences of a seemingly minor character like R2-D2, like in Kurosawa's Hidden Fortress, it is fun to view the lead up to The Avengers as the continuing adventures of The Son Of Coul.

Iron Man

Marvel Studios knocked it out of the park with their first solo production, mainly thanks to the performance of Robert Downey Jr. For far too long, comic book movies had the problem that the villains were far more interesting and entertaining than the heroes. Tony Stark changed that. This is a man who is, in his own words, "genius, billionaire, playboy, philanthropist...", and RDJ plays the role to perfection. It is easily a part that could lose the audiences sympathies but you totally buy into his characters journey into the superhero he becomes, and refreshingly one who doesn't care who knows it.
There is also excellent support from Gwyneth Paltrow, someone who I'm not normally a fan of, as Pepper Potts and Jeff Bridges being "very un-Dude" as the villain.
It is a welcome light and fun antidote to the dark and dour world of Nolan's Batman, and excellent start to the long road to The Avengers.

Marvel Canon Fodder - Rhodey gets a nice moment, looking at the Mark II suit and remarking "Next time baby", setting up his War Machine storyline. The terrorist cell is called The Ten Rings, hinting at the involvement of The Mandarin. Last time Nick Fury was on our screens, he was portrayed by David Hasselhoff (no, really!), but having Samuel L. Jackson assume the role places Iron Man and the subsequent films well and truly within the Ultimate Marvel universe as first featured in the comic series The Ultimates written by Mark Millar and illustrated by Bryan Hitch who based Fury's look on Mr Jackson.

Fanboy Geekout Moment- While the first flight in the Iron Man suit is a terrific sequence, it has to be Nick Fury's appearance at the end of the film that seemingly promises fans that we will see an Avengers movie.

Avenger Assembling - Iron Man is very much a stand alone film. Besides the introduction of the Strategic Homeland Intervention Enforcement and Logistics Division (which Coulson is repeatedly told requires a new name) there is only Samuel L. Jackson appearing in a post credit sting teasing the Avenger Initiative.

Coulson Factor - Created for the movie, Coulson acts as a liason for S.H.I.E.L.D. and is continually dismissed by Stark until he helps protect Pepper against the Iron Monger but Clark Gregg's straight-faced deadpan delivery provided enough for producers to see the potential in the character.

Loki's Fact of Fiction - The Iron Lady starring Meryl Streep was originally going to feature a scene where Maggie Thatcher borrowed the suit from Tony Stark and fought the Falklands War single handed.

Stan Lee's Hitchcock Cameo - Stan 'The Man' Lee is mistaken for Hugh Heffner by Tony at a gala event thrown by Stark Industries.

Overall rating - 4/5

The Incredible Hulk

Bringing the character of the Hulk back under the full control of Marvel Studios, producers decided to largely ignore the events in Ang Lee's 2003 Hulk movie and instead start up events 5 months after the origin of the Hulk.
The film had a troubled production with director Letterier and Edward Norton delivering a 3 hour version that was a Jekyll & Hyde style meditation on trying to understand the tortured, conflicted nature of the Hulk but Marvel edited it down to a more popcorn friendly summer blockbuster featuring an epic Harlem smack down between Hulk and the Abomination.
The end result is a bit of a mess and the actual Hulk itself is still too CGI, not having the weight or personality that hopefully Ruffalo's performance capture will add in The Avengers, but personally I prefer it to Lee's version. At least there are no mutant poodles or Nick Nolte turning into a radioactive jellyfish cloud!

Marvel Canon Fodder - Going against standard Marvel canon in which Banner turns into the Hulk after exposure to Gamma radiation, in this incarnation Banner was also working on the Super Soldier serum and it was this, combined with the radiation that caused his transformation. The character of Emil Blonksy is Russian in the comics but here he is born in Russia and grew up in England so Tim Roth didn't have to put on a funny accent. It also introduces the character of Dr. Samuel Stern who would go on to become the villain known as The Leader.

Fanboy Geekout Moment - It's a toss up between composer Craig Armstrong's use of the "sad walking away music" from the Bill Bixby TV series and the moment inspired by a scene in The Ultimates comic where they induce a hulk out by dropping Banner out of a plane.

Avenger Assembling - During the opening credits, it establishes General Ross getting assistance from S.H.I.E.L.D. In his hunt for Banner along with the use of Stark weaponry. General Ross talks about the 'Super Soldier' program used in WWII i.e. the program used to create Captain America. In the post credit sting, Tony Stark approaches a drunk General Ross telling him that they are putting a team together that might be able to solve his "little problem", at this point hinting that The Avengers could be assembled to take down and subdue the Hulk.

Coulson Factor - Sadly no appearance from everyone's favourite S.H.I.E.L.D. Agent :-(

Stan Lee's Hitchcock Cameo - Stan plays the man who gets an extra kick from an energy drink contaminated with Banner's Gamma blood.

Loki's Fact of Fiction - The Hulk's fighting style was based on wrestling legend Hulk Hogan and in a deleted scene he delivers the immortal leg drop to Abomination.

Overall rating - 2/5

Iron Man 2

This is the film in the Marvel series that suffers the most from the issue of setting events in motion for The Avengers. So much so that it feels like the film is more concerned with this than providing the audience with an Iron Man sequel.
The main plot line that features rival weapon manufacturers trying to get their hands on Stark's tech and a climatic battle between CGI robot figures is just recycled from the first film. Having said that, Sam Rockwell's weasely Justin Hammer is a nice contrast to Stark and Johannson and Gregg get their moments to shine.

Marvel Canon Fodder - Continues the progress of War Machine and starts Tony down the path laid out in the 'Devil In A Bottle' storyline. Mickey Rourke's Ivan Vanko becomes a combination of villains Crimson Dynamo and Whiplash.

Fanboy Geekout Moment - Possibly the Iron Man suit in the briefcase or Black Widow's athletic takedown of half a dozen guards.

Avenger Assembling - There is a hell of a lot going on here. Nick Fury reveals that he knew Howard Stark and he was one of the founding members of S.H.I.E.L.D. and gives Tony some of Howard's research including a case that contains a Captain America comic and an unfinished prototype of his shield.
Black Widow is sent in undercover to keep an eye on Stark and assess his viability for the program, ultimately recommending that he only be used as a consultant rather than a full team member due to his behaviour.
Post credit sting involves Agent Coulson locating Mjolnir, the hammer of Thor, in the desert of New Mexico.

Coulson Factor - Agent Coulson returns to babysit Stark before heading to New Mexico on a special assignment. The two of them share a couple of great exchanges including Coulson laying the verbal smack down on Tony with "If you try to escape, or play any sort of games with me, I will taze you and watch "Supernanny" while you drool into the carpet."

Loki's Fact or Fiction - The end credit sting originally had Nick Fury approaching John Steed and Emma Peel to join the Avenger Initiative.

Stan Lee's Hitchcock Cameo - Tony Stark really needs to get his eyes tested as this time round he mistakes Stan for Larry King.

Overall Rating - 3/5 (from an Avengers setup standpoint) 2/5 (otherwise)

Marvel One Shot: The Consultant

Coulson and fellow agent Hernandez devise a scheme to sabotage plans to have The Abomination added to the Avenger Initiative. They decide send someone to annoy General Ross to the point where he will refuse to release Blonsky. This leads to the footage seen at the end of The Incredible Hulk with Ross and Stark.

Marvel Canon Fodder - Not canon at all. Instead it is a short film created to help fill in the gaps between the films and tie in all the ongoing story lines.

Fanboy Geekout Moment - Coulson wipes his mouth with a napkin after eating pancakes... OK, I admit, it's not great but it is a short film of mostly dialogue!

Avenger Assembling - No more than what we have already seen but puts a new spin on the existing footage to allow a new interpretation in keeping where the overall storyline is heading.

Coulson Factor - The short helps to establish where Coulson ranks in the grand scheme of things at S.H.I.E.L.D., he has a Level 7 clearance which probably places just under Fury in terms of authority.

Loki's Fact or Fiction - This short was filmed by David Fincher who did 111 takes of the final scene which meant Clark Gregg had to eat 111 pancakes.

Stan Lee's Hitchcock Cameo - No cameo

Overall Rating - 3/5

Thor

More than any other film in the arsenal of Marvel studios, this is the one that could have gone horribly wrong. Thor is not your typical superhero, he is a Norse God and between this hero and the direction of Luvvie Branagh, the movie could easily have become a camptastic romp like Flash Gordon (possibly one of the reasons sadly why Brian Blessed was not cast as Odin because it would have immediately drawn comparisons).
Happily the result is the best Marvel since Iron Man. As well as ticking all the boxes in terms of comic book blockbuster, Branagh puts a lot of focus on the central relationship between Odin, Thor and Loki, with the scene where Loki confronts Odin over his true heritage being the finest in the film.
Performances are terrific all round but the real star turn is Tom Hiddleston as Loki. He brings real pain and conflict to the role which makes his villain the best in the Marvel canon so far and I can't wait to see what he will bring to The Avengers.

Marvel Canon Fodder - While many of the other films have taken elements from the Ultimate universe, this incarnation of Thor is more the classic Norse God rather than a possible psychotic with delusions of grandeur and super powers.
Thor's earthbound alias Donald Blake is referred to as Jane Foster's ex boyfriend.

Fanboy Geekout Moment - It's not really a "Geekout moment" per say but I love the scene where Thor goes into the pet shop demanding a horse... or dog, cat or bird large enough to ride. That or Odin's full-on boombastic Shakespearian "you're a vain, greedy cruel boy" speech.

Avenger Assembling - We get our first glimpse at Clint Barton aka Hawkeye who is providing weapons cover for S.H.I.E.L.D. at the Mjolnir crash site. Dr Selvig (Skarsgard) mentions he knew a scientist who worked in gamma radiation who disappeared after involvement with S.H.I.E.L.D. (we can safely assume he means Bruce Banner). The post credit sting sees Fury show Selvig a glowing cosmic cube and Loki appears to influence Selvig's mind and says that it is worth a look.

Coulson Factor - Coulson is running the show down in New Mexico, LIKE A BOSS, as evidenced by Hawkeye taking orders from him. He even gives Thor a dressing down during an interrogation. This also marks the origin of Clark Gregg's nickname 'Son of Coul' which is what Thor calls him when offering his assistance in protecting Earth's realm.

Loki's Fact or Fiction - Branagh actually filmed a scene where Hemsworth rode a chihuahua!

Stan Lee's Hitchcock Cameo - A New Mexico driver who attempts to pull Mjolnir out of the ground with his truck, and fails miserably.

Overall rating - 4/5

A Funny Thing Happened On The Way To Thor's Hammer

Marvel Canon Fodder - not set within the existing Marvel canon.

Fanboy Geekout Moment - Coulson smacking a criminal in the face with a shotgun.

Avenger Assembling - No additional assembling takes place.

Coulson Factor - Another chance for Gregg to show a different side to Coulson, this time being a total badass and beating up two criminals who try to rob the gas station he has stopped at. Also has another chance to deliver some killer lines with that deadpan delivery we have come to love.

Loki's Fact or Fiction - Clark Gregg really can't decide between powdered and frosted donuts.

Stan Lee's Hitchcock Cameo - No cameo

Overall Rating - 4/5

Captain America: The First Avenger

The "First Avenger" and final movie in the run up to the Avengers as the final pieces of the puzzle start to slot into place. Director Joe Johnston recovers from The Wolfman disaster to rediscover the magic he worked on The Rocketeer to deliver a great old-fashioned romp but also keeping it Marvel too. Even throwing in a few nods to Raiders Of The Lost Ark along the way. The only real issue with the film is by setting it within a flashback structure, there is a lack of real tension in the film as we all know how it is going to end, even if it does have a scene that rips off Armageddon.

Marvel Canon Fodder - Initially it does appear odd to have the Human Torch playing Steve Rogers but once you get over this the film sticks fairly closely to the traditional Marvel canon and origin story (although one major character is killed off to create a more emotional edge to the story). There is also a fun spin on the original comic cover that featured Cap punching out Hitler.

Fanboy Geekout Moment - The original Captain America outfit and 'Star Spangled Man' (which should have been nominated for Best Original Song at the Oscars).

Avenger Assembling - The blue cosmic cube glimpsed at the end of Thor appears here and is called The Tesseract, one of the relics from Odin's treasure room, found by the Red Skull but ultimately ending up in S.H.I.E.L.D.'s possession. This film seems to contradict information about the Super Soldier program mentioned in The Incredible Hulk. In Hulk, Ross says he's still working on the program and takes a vial of the serum from a tank that claims the creator was Dr. Renstein. However in this film, the creator of the formula is Dr. Erkskine and it appears the last of the formula is destroyed.
Howard Stark plays a major role in the creation of Captain America and the Stark Expo, which features in Iron Man 2, also makes an appearance.
The film ends with Rogers waking up in a S.H.I.E.L.D. Facility to be informed by Nick Fury (in the middle of Times Square) that he's been asleep for 70 years. It is assumed due to the wee teaser trailer at the end of the credits that Rogers remain in their custody until the events of The Avengers.

Coulson Factor - Sadly this film rates a zero on the Coulson scale. Not even an appearance at the end when Steve Rogers wakes up in modern day New York.

Loki's Fact or Fiction - Chris Evans and Ryan Reynolds have a running bet about who can appear as more comic book characters.

Stan Lee's Hitchcock Cameo - Lee appears as a General at a medal presentation for Steve Rogers.

Overall Rating - 4/5