Showing posts with label mother. Show all posts
Showing posts with label mother. Show all posts

Friday, 4 May 2018

Tully - Review


Tully is the final part of Diablo Cody and Jason Reitman's Womanhood trilogy. They began with Juno, about a young woman facing an unexpected pregnancy. Young Adult saw a woman unable to accept growing up and Tully sees a grown woman overwhelmed by the pressures of being a mother.
Charlize Theron, who was dynamite in the trio's previous collaboration Young Adult, is Marlo, a woman nearing the end of her rope. She is a mother of three, including a newborn and a young son with behavioural problems and possibly on the spectrum. She is barely keeping her head afloat yet alone treading water.
Jason Reitman helps to establish this with a wonderful jump cut montage that brings to mind the work of his directorial doppelganger Edgar Wright.
Her faithful but distant husband is too busy working to help so her rich brother hires her a night nanny to help ease her heavy load. Despite her initial misgivings that is. She even says what the audience is thinking, "That's like a Lifetime movie where the nanny tries to kill the family and the mom survives and she has to walk with a cane at the end".
Yes, you think that the movie has potential to go down the Hand That Rocks The Cradle route or the tired "nanny becoming involved with the husband" routine but this is not that film.
This is a warts-and-all, honest, raw portrayal of motherhood featuring an astounding central performance from Theron who will have every single mother in the world nodding along in agreement at the film. This is a woman, like George Bailey in It's A Wonderful Life, in need of saving and her angel is just around the corner.
When the eponymous Tully makes her entrance, she seems to good to be true. Similar to another infamous nanny, she is practically perfect in every way. Young, attractive, full of life yet full of wisdom and instantly connects with newborn Mia and Marlo.
Mackenzie Davis (Black Mirror, Blade Runner 2049) pitches it perfectly, cleverly avoiding becoming a pixie girl stereotype and instead embodying everything that Marlo misses about herself and wishes she could be.
Her appearance gives Marlo a second lease at life. Allowing her to connect with her children and husband again but also making time for herself. This leads to a hilarious road trip for a spontaneous night out in "the city" where they head to Brooklyn listening Cyndi Lauper's Girls Just Wanna Have Fun but goes through the entire album before they reach their destination.
But Tully's being there was only meant to be a temporary fix. A balm. A band aid that Marlo will eventually have to rip off and get back to normality and the third acts developments have proved divisive for some but for this reviewer they worked perfectly given the set up and are executed beautifully.

4 stars

Friday, 15 December 2017

2017 - The Year In Review

2017 - A Year In Review


It would be easy to write up a review of the year looking at the big stories of the year but it would make for depressing reading now and no amount of "Now Wolverine can team up with the Avengers" can make up for that.

Instead this will be a bit of a statistical analysis of my year of cinema going along with my picks for the best (and worst) films of the year along with movie moments and performances.

When compiling my list of what I had watched this year, it became apparent that I will need to move with the times in 2018 as I only had kept track of films that I had seen at the cinema and not at home via Netflix, such as Gerald's Game and The Circle.

From 1st January, that will change as there are more and more original films being released via online platforms, including Duncan Jones's upcoming Mute (which will hopefully also receive a small theatrical release).

Films watched at the cinema - 142
New releases watched in 2017 - 115
Repeat viewings of new releases - 9
Classic re-issues watched on the big screen - 18

Worst Films of 2017

  1. Transformers 5: The Last Knight
  2. Song To Song
  3. The Snowman
  4. Geostorm
  5. The House

Movie Moments Of The Year

  1. Luke & Leia (The Last Jedi) - Don't want to go into spoilers but safe to say that when Mark Hamill and Carrie Fisher are reunited on screen, it is a scene that would turn even the most hardened Sith back from the Dark Side.
  2. Joi, K and Mariette (Blade Runner 2049) - The A.I. Joi melds with a replicant prostitute in order to become physical with Gosling's K and the CGI used in this scene is the most stunning that I have ever seen and blew my tiny human mind as it struggled to comprehend what it was seeing.
  3. Epilogue (La La Land) - A beautiful "What If" recap of this stunning, joyous musical which simultaneously becomes the most bittersweet ending to a romance since Casablanca.
  4. Spitfire vs the Bomber (Dunkirk) - The airborne dogfight cinematography is the highlight of Nolan's film but the acting and emotion cannot be overlooked during the scene where Hardy's pilot silently decides whether to fly home to safety or turn around to take on a German bomber to save more soldiers, knowing it will leave him out of fuel and probably sending him to his death.
  5. The Knock On The Door (Wind River) - When Elizabeth Olsen knocks on the door of a cabin, what happened next completely threw me for a loop.
  6. Post-credit Sting (Split) - One comes to expect a twist from an M. Night Shalamyan film and this was no different but when the film revealed where the story would go in the future I properly "marked out" and was astounded and delighted we would see more from the world of *redacted*
  7. Bellbottoms (Baby Driver) - The opening bank robbery and resulting car chase is a tour de force of action directing and editing, with all the action set out meticulously to the soundtrack of Bellbottoms by Jon Spencer Blues Explosion and sets the tone for Edgar Wright's bold, brash and brilliant Baby Driver.
  8. Anything with Korg (Thor Ragnarok) - Taika Waititi's hilarious rock monster Korg was the breakout character of Thor Ragnarok. Always there to undercut the tension with a joke or two, I certainly hope to see more of Korg and Miek in the MCU.
  9. Michael Stuhlbarg's monologue (Call Me By Your Name) - Stuhlbarg steals the film out from under the feet of Chalamet and Hammer right at the end with a tender, beautiful speech to his son that earns him the title of best movie parent since Stanley Tucci and Patricia Clarkson in Easy A.
  10. "Oh hai Mark" (The Disaster Artist) - Yes it was featured in the trailer but the filming of this scene in The Room is fantastic (as is the spot on recreations of scenes from the film played side by side during the end credits).

Best Performances Of The Year

  1. Emily Beecham (Daphne)
  2. Tom Hardy (Dunkirk)
  3. James Franco (The Disaster Artist)
  4. Harrison Ford (Blade Runner 2049)
  5. Jessica Chastain (Miss Sloane & Molly's Game)
  6. Michael Stuhlbarg (Call Me By Your Name)
  7. Rafe Spall (The Ritual)
  8. Mark Hamill (The Last Jedi)
  9. Hugh Grant (Paddington 2)
  10. Jack Black (Jumanji: Welcome To The Jungle)

Most Enjoyable Cinematic Viewing Experiences

  1. The Room
  2. Edinburgh International Film Festival Q&As - This year I was lucky enough to host a couple of Q&As at EIFF including Daphne with a breakout performance from Emily Beecham and a packed house in Filmhouse 1 for The Beautiful Fantastic with Jeremy Irvine.
  3. Raiders Of The Lost Ark with live score at Usher Hall - One of the greatest films of all-time with one of the greatest film themes of all-time played live by the Royal Scottish National Orchestra. What's not to love?
  4. Star Wars: The Last Jedi Midnight Screening 
  5. Dunkirk on 70mm & IMAX - Flawless projection from the team at Filmhouse for the gorgeous 70mm print. Sadly there were projection issues at Glasgow IMAX but I did notice the reactions of audience members around me with one girl utterly engrossed with the dogfight scenes so much that whenever Tom Hardy appeared on screen, she moved forward to the edge of her seat. At the end when he opens the cockpit to parachute to safety she started to cheer, only to look around at other people in shock when he closed it to safely land the plane on the beach and burn it so the Germans couldn't use it. It reminded me of the power that cinema can have over people.

Top 17 Films of 2017

  1. Blade Runner 2049
  2. Dunkirk
  3. Wind River
  4. Get Out
  5. The Last Jedi
  6. La La Land
  7. A Ghost Story
  8. Baby Driver
  9. Mother!
  10. The Disaster Artist
  11. Logan
  12. T2 Trainspotting
  13. Call Me By Your Name
  14. Paddington 2
  15. Raw
  16. Kaleidoscope
  17. It Comes At Night
Honorable Mention: War Of The Planet Of The Apes - Who can honestly say that in 2011, when a prequel/reboot to a Sixties sci-fi film that spawned a number of terrible sequels and remakes would produce one of the greatest film trilogies of ALL-TIME, anchored by an incredible central performance from Andy Serkis as Caesar.