Avengers Infinity War - On Location in Edinburgh

Avengers Infinity War is the culmination of ten years and eighteen films of the Marvel Studios and you can read my full 5 star review here that is more glowing than a fistful of infinity stones.
The film's release this weekend is a cinematic event of monumental scale and looks set to have box office records falling before it faster than War Machine out of the sky after being blasted by Vision.
Wind the clock back a year to a cold, dark night in Edinburgh in early April, where hundreds of Marvel fans were patiently camped out on the Royal Mile for a glimpse of some action.

Yes, the Marvel Cinematic Universe had come to Scotland.
Edinburgh was chosen by directors the Russo Brothers as the only location outside of their Atlanta base for filming Infinity War and Marvel Studios spent six weeks in the Capital doing night shoots for a major sequence involving Scarlet Witch and Vision.
Not only was there a night shoot taking place on the Royal Mile and inside Waverley Station but the team took over a hanger at Leith harbour and turned it into a makeshift sound studio for filming.
Reports estimate that the shoot brought in around £10 million to the local economy and furthers the argument for Scotland to have its own proper film studio.
During April, Twitter was alive with rumoured sightings around town of Elizabeth Olsen, Paul Bettany and Chris Evans. Anthony Mackie's Falcon had flown the coop to St. Andrews for a round of golf and Team Thor (Hemsworth, Ruffalo and Tessa Thompson) were spotted at the Waldorf Astoria.
So enamoured with the city was co-director Joe Russo, he returned during the world press tour to screen 20 minutes of footage to a hugely appreciative crowd of fans. Full report here.
With the plot kept a complete secret until the film was released, fans were left to wildly theorise and speculate as to the plot of the sequence shot in Edinburgh.
Based on what was seen, it appeared as though Scarlet Witch and Vision were hiding out in Edinburgh following the events of Captain America: Civil War. They seek to fan the flames of their burgeoning  relationship when they are attacked by Thanos's Black Order, looking to reclaim the Mind Stone.

*Mild spoiler warning - the plot of Avengers: Infinity War will be briefly discussed from this point but nothing that is not already featured in the trailers*

Upon seeing the film, this is pretty much how this storyline plays out but with the addition of Steve Rogers, Black Widow and Falcon arriving to save the day.

What is immediately noticeable to anyone from Edinburgh, is how geographically accurate the sequence is. The action flows from Cockburn Street up to the Royal Mile before heading back down the road to Waverley Station. This level of accuracy is something that T2 Trainspotting could not even achieve!

So if you want to visit the "set" of Avengers Infinity War, here are the spots to go:

Miss Katie Cupcake, 52 Cockburn Street, Edinburgh

Don’t worry if you don’t immediately recognise the location because Miss Katie Cupcake, a vintage inspired store, was transformed into Hüsnü Kebab House for the purposes of filming.

This is where Vision and Scarlet Witch stop to discuss their relationship. Probably before sampling some of that Avengers-favourite schwarma or the Scottish twist on the delicacy - the deep fried kebab - pay attention for the sign in the window.

Laila's Bistro, 63 Cockburn Street, Edinburgh

Scarlet Witch is sent flying through the window of this Mediterranean bistro by Proxima Midnight before returning to save Vision as Glaive attempts to remove the Mind Stone rather forcibly.

St. Giles' Cathedral, High Street, Edinburgh

Located on the High Street on the Royal Mile, St. Giles' is the historic city church of Edinburgh. Some of the fight scene between Vision, Corvus Glaive and Scarlet Witch takes place upon the top of the Cathedral.

City Chambers, High Street, Edinburgh

Down on the street below the Cathedral, Proxima Midnight and Scarlet Witch go one on one outside the City Chambers, resulting in the spectacular explosion that featured in the above video.

Waverley Rail Station, Edinburgh

The site of the biggest night shoot for filming, the attempt to retrieve the Mind Stone from Vision's head climaxes inside Edinburgh's main railway station and sees the appearance of Captain America's beard (no, not Sharon Carter!), Black Widow and Falcon to turn the tide and save the day.

An area towards the rear of the station next to Platform 20 was cordoned off for the duration of filming. A green screen was installed along with a fake coffee shop that could and would be destroyed in the fight.

 

For those wanting to recreate the moment Steve Rogers emerges from the shadows, you will need to hop over to Platform 1 and look for the third alcove which has some graffiti and a mark on a brick that makes it easier to identify.

The station has installed a couple of standing screens displaying photographs from the filming plus video and still images from the final film to allow fans to check out exactly where the shots were taken. That way you can recreate the scenes from the movie using cosplay, LEGO figures or just yourself.

So there you have it. complete guide to the Edinburgh locations featured in Avengers Infinity War. We'll just all have to wait and see if there is a deleted post-credit scene where Thanos goes for a deep fried kebab to celebrate a job well done!

Kodachrome - review

Kodachrome is a film about nostalgia. Nostalgia for an older, simpler time. Where photographs were taken on a camera and not a phone. Photos of other people and not selfies.
Nostalgia is always better when it has a basis in truth, and this film is actually based on a true story article about the last few days of the Kodachrome development system in America.
Jason Sudekis plays Matt, a music executive who is about to be fired because the music industry is changing the same way as film. Moving from the physical media to digital.
He is the estranged son of Ben Ryder, a famous photographer suffering from cancer, who wants to drive across America to get four rolls of film developed before they stop developing them. Only he needs Matt's help and the two of them take an Elizabethtown/As Good As It Gets-style road trip with Ben's nurse (Elizabeth Olsen) to help administer Ben's medication and keep the peace.
Olsen delivers her usual brand of warmth, charm and compassion just as she did in Liberal Arts. Sudekis proved in Colossal that he can deliver on the dramatic side just as well as the comedic and sparks off the cranky, curmudgeonly Ed Harris.
In a movie like this, it is the journey not the destination that is important and the story takes the predictable route to its destination with the character moments and plot points signposted a mile off and you are left always wishing that something truly special develops from the material but sadly the end result is slightly out of focus.

3 stars

Road to Infinity War - Phase 2 - Avengers: The Age Of Ultron (2015)

You know what? Avengers Age of Ultron gets a bit of an unfairly bad rep.
A lot of that comes from Joss Whedon's split from the Marvel Cinematic Universe following the release of the film where it was revealed that he had not enjoyed the process this time round, feeling that the wider needs of the Universe were getting in the way of telling the story. It also caused him to leave Twitter when fans started hating on him for certain character choices he made (*cough* Natasha and Bruce *cough*).
It is certainly not a perfect film. For one thing it is Avengers: Age of Product Placement with featured shots of Under Armour clothing, Beats headphones, Reebok trainers and, randomly, Gillette shaving cream!
What Ultron does do well is it captures the fun and excitement of having a group of superheroes working together and the wonderful chemistry established by the group of actors who have now been working together for a number of years.
It picks up where it left off, kickstarting the film with an action sequence that features Earth's mightiest heroes in a slow mo one shot again that says "we're hitting the ground running". It also contains the wonderful "language" moment.
There is the party scene where all the Avengers (except Black Widow) attempt to pick up Thor's hammer. The look on Hemsworth's face when Cap makes it wobble ever so slightly is priceless. It also has a wonderful pay off later in the film with Vision.
One of the major criticism's from fans was the middle section where they lay low at Hawkeye's family farm but it allows the movie a chance to breathe and it is a nice, welcome character development for Renner's Clint Barton who spent most of the first film under the mind control of Loki.
Given Whedon's history for killing off characters, it pulls the perfect bait-and-switch building up "one last job", "baby on the way" sacrifice for the hero that doesn't end the way you think.
It also gives him a wonderful moment with Elizabeth Olsen's Scarlet Witch where he delivers a pep talk about becoming an Avenger and how ridiculous it all is that he is just a guy with "a bow and arrow".
It is wonderful to finally see the MCU get another female superhero to add to the mix in the form of Wanda Maximoff aka Scarlet Witch (No, Maria Hill does not count!). Olsen is perfect in the role that will develop over the next phase as she struggles to deal with her enormous power and relationship to Vision, the child of Ultron.
Voiced perfectly by James Spader, Ultron is the dark mirror image of Tony Stark. Born out of a need to protect the Earth from attack but ultimately deciding the easiest way to do that is destroy humanity, he is the Monster to Stark's Doctor Frankenstein.
On reflection, now that Phase 3 is nearly complete, Age of Ultron actually fits in a lot better to the overall arching storyline. The final battle in Sokovia has huge repercussions for the group that leads into Civil War, Andy Serkis's delightfully wacky Ulysses Klaue as a plot device to introduce the notion of Wakanda (but worth it for his Cuttlefish speech) and Thor's subplot about going for a dream bath now makes a lot more sense given the events of Thor Ragnarok for example. Again it is about finding that balance between being a complete one shot film versus paving the road to Infinity War but if people were to talk a walk back down this path, they will find much more to enjoy second time around.

Infinity Stone counter = 4

Avengers Infinity War Footage Screening - Edinburgh

Tonight saw the Avengers: Infinity War press tour come to Edinburgh. Albeit in a more low key (or Loki) fashion than the London UK Fan Event this past Sunday.
Rumours had been flying around that Paul Bettany (Vision) and Elizabeth Olsen (Scarlet Witch) would be in Edinburgh for the screening sadly proved to be false but co-director Joe Russo was on hand to introduce the footage.

He started by recognising the efforts of Mae Trumata who had started an online petition to have the UK premiere of the film in Edinburgh as it was the only place that they filmed in outside of the US and spent 5 weeks shooting on location at Waverley Station and the Royal Mile.
They even built a makeshift film studio in a hanger at Leith Docks for interior shoots while they were here, bringing in $10 million to the local economy.
Russo indicated that the support for the petition was why he was there tonight, and wanted to give something back to the city “for being such incredible hosts to my brother and I and our crew. It was an amazing shoot here”.
He had to go on to apologise because Edinburgh did not appear in the footage that was being screened to the audience (*cue near riots - kidding*) but that Edinburgh would feature in the finished film and that audiences “will see about ten minutes of your beautiful city in the film, which is shot as Edinburgh - it’s not shot as another location and some pretty important sequences happen here.”
That sequence is likely to Scarlet Witch and Vision come under attack from the Black Order before being saved by Captain America… if the trailers are to be believed!
Russo teed up the footage by saying that it was two scenes coming just after the opening of the film that did not give too much away in terms of plot and action. There is only one premiere screening happening for Infinity War to cut down on potential spoilers as there are “so many secrets in this film” and they “don’t want to spoil it for anyone”.
“We have gone to great lengths to protect what happens in the movie, we wrote fake scripts and distributed them to the cast”
As for the footage that was screened… you are not getting spoilers here. You would have more chance of getting blood from an Infinity Stone!
However it is fair to say that Infinity War is in very safe hands with the Russo Brothers following Captain America The Winter Soldier and Captain America Civil War and the result will be suitably epic.
While the event might not have had the star power of the London screening, the fans left happy as Joe Russo happily chatted away with fans, posing for photos and autographs. He even arranged a second showing of the footage to fans who had initially missed out on the event.

Suffice to say that Edinburgh and Scottish Marvel fans will be assembling at their local cinemas come April 26th to see how the culmination of the first ten years of the Marvel Cinematic Universe plays out.

Avengers: Age Of Ultron - Review

In 2012's The Avengers, Nick Fury and Joss Whedon were both faced with an impossible task:

How do you solve a problem like Maria Hill? Just kidding.

No, I obviously meant how do you bring together Marvel's greatest individual superheroes together into one successful and cohesive unit?

Well thanks to Whedon's writing and directing skills, the answer was... "Very easily" because it became the most successful comic book movie of all-time.

It couldn't have been easy coming back to try and achieve the impossible one more time. Particularly when Marvel Studios have really raised their game in Phase 2, with them on their best run of movies so far with Iron Man 3, Winter Soldier and Guardians Of The Galaxy (we'll skip over Thor: The Dark World).

Thankfully Joss is up to the task, delivering a film that simultaneously feels bigger in scale but more intimate in terms of character development.

Following an attack on a HYDRA base, Tony Stark is haunted by a vision of a world (and Avengers) defeated by the return of the Chitauri army.

He creates the Ultron program, designed to be "a suit of armour around the world", but as anyone who has ever seen a movie about artificial intelligence would know, it is not the best idea as any Skynet-esque defence system will soon realise the best way to protect the Earth is to rid it of its most destructive force... Humans.

And so Ultron is born. Brought to life (so to speak) by a fantastic vocal performance by James Spader who brings charisma, humour and villainy in spades.

He recruits two "Enhanced" characters, whatever you do don't call them "mutants", in the form of super fast Pietro and telekinetic Wanda Maximoff to take down the Avengers whilst preparing his masterplan.

As if that wasn't enough for them to deal with, the Avengers all have their own issues going on:

Stark is faced with the Frankenstein-esque guilt of his creation. Black Widow and Bruce Banner are getting close but the Hulk keeps getting in the way, with them sharing one particular exchange reminding us of Whedon's work in Buffy. And it nice to see Hawkeye finally get a proper story arc with a surprise reveal as to his past.

As mentioned before, the action set pieces are HUGE and while at the end it once again falls into the third act trap of people fighting metal men but interestingly there is continuous mention of how Captain America and the gang focus on saving lives and minimising damage.

Was this a deliberate middle finger to Man Of Steel? I for one like to think so.

Every single member (of the ever expanding team) gets a chance to shine with the movie's most crowd-pleasing moment going to new character Vision.

On first viewing there is just so much happening in Age Of Ultron that it seems overwhelming and certain bits can feel lost in the overall mix but it could benefit from repeat viewings.

Overall Whedon has once again assembled a great movie out of Hollywood's biggest and busiest franchise and his absence going forward will be sorely missed.

In the meantime with Marvel Studios advancing to Phase 3 and rumours of the fall-out of this film affecting the plot of Captain America: Civil War does this make Age Of Ultron technically aka Ul-Tron Legacy?

4 stars

Godzilla - review

It is very rare these days to be surprised by a film. Given the number of trailers, TV spots and social media posts in the lead up to a film's release, you can feel like you've seen the whole film before you've even got the cinema (*cough* The Amazing Spider-Man 2 *cough*) so it was a pleasure to be genuinely surprised by elements of Godzilla.

It's therefore a shame to read so many reviews that spoil them but rest assured I will do no such thing!

This is an entertainment less akin to the popcorn-munching, all-guns-blazing, Michael Bay-style spectacles of the Noughties but harks back to the original Summer blockbuster... Jaws.

Just like JJ Abrams did with Super 8, Gareth Edwards channels his inner Spielberg to craft a film that evokes feelings of Close Encounters Of The Third Kind and Jurassic Park; the slow build, discoveries in fossilised remains or missing ships, fractured family relations, scientists knowing more than the military.

He also believes in the old adage that less is more, with the first hour being spent offering glimpses and teases of Big G before the money shot that kickstarts the monster mash and he becomes a bigger wrecking ball than Miley Cyrus.

It would be fair to say that there are a number of money shots because there are sequences and compositions which are simply stunning and breathtaking, particularly one shot through the visor of a soldier skydiving into a city through he cloud to reveal Godzilla doing his thing.

But Spielberg knew that the secret to success for a monster movie to work, is that you need characters that you believe in, to care about and root for. Characters like Chief Brody, Alan Grant, Indiana Jones and Ian Malcolm.

Bryan Cranston (who one day will hopefully star in a film where he no longer has to wear a bad "I'm on a break from Breaking Bad" wig) manages to do a lot with rather little delivering paranoid barking speeches as a Roy Neary-esque crackpot investigating a cover up of an accident that had deep repercussions for his family.

But whenever Cranston is not on screen we are left with a group of talented actors (Ken Watanabe, Sally Hawkins, Elizabeth Olsen) who have nothing to do other than look scared of, look in awe of, or run away from a giant monster.

Honestly, how am I supposed to care about a family trying to being reunited amongst the destruction when they only share one minute of screen time at the beginning of the film?

In spite of a lack of 3D characters and effective 3D retrofitting, there is a decent monster movie here which does deliver on its promise of a smack down of seismic proportions. There is no cinematic cock-teasing a la The Grey here.

But Kaiju believe it? The overall result is a Godzilla where his bark is worse than his bite.

3 stars