Saturday, 7 April 2018
A Quiet Place - review
A Quiet Place is one of those genre hits that has a concept that is so simple that you will kick yourself that you didn't think of it first. Even if you did, it is unlikely that you would have delivered it so effectively as it is here and easily the best horror debut since 2015's It Follows.
In the near future, the world has been attacked by mysterious creatures that hunt by sound and kill with a fearsome ferocity. This is all set up during the opening sequence that sees a family silently raiding a supermarket for supplies before making their way home through the woods. They don't wear shoes, they talk through sign language (precipitated by their need to communicate with deaf daughter) and have made quiet paths using sand. This peace is horrifically shattered when the youngest son finds a electronic plane and it starts to make noises, resulting in a series of silent screams that will haunt your dreams.
Fast forward to a year later and the family are surviving but at what cost? They have created a life for themselves on a farm where the dad has turned it into a secure compound with security cameras, regular and danger lighting, etc and the mum has made it a home where they have dinner on leaves instead of plates and play Monopoly with cloth counters rather than metal pieces.
There is a clear bond between the family but there is also unspoken, pun intended, issues that threaten to shatter the silence. There is guilt felt by all of them over the fate of the youngest son and there is resentment on the part of the kids who feel that the father priorities keeping them alive over showing them care and affection.
This works because of the actors who are uniformly excellent both individually and together. You completely buy into the family dynamic and are emotionally invested in their safety and survival.
Of course it helps when the husband and wife team are played by real-life couple Emily Blunt and John Krasinski (who also wrote and directed the film).
Emily Blunt must love her husband a lot to do this film because Krasinski really puts her through the wringer in this as a woman who is faced with some of the most awful situations a mother can make and perfectly runs that gamut of emotions.
At 90 minutes this is an incredibly lean, tightly structured film that moves effectively from set piece to set piece and the intensity and threat increases exponentially with every moment that passes.
Krasinski wrings every drop of tension, terror and suspense out of the premise, going so far as to zoom in on an exposed nail on a step that threatens to bring their whole existence crashing down around them.
Just when you think life couldn't get any more complicated for them, a plot point that has wisely been concealed from the trailers provides a glimmer of hope for the future but also the film's most nerve shredding, knuckle whitening sequence.
The monsters are wisely kept to the shadows for the first two acts before finally coming face to face with their victims in the third act, showing off their horrifying, slightly Demigorgon-esque design.
Just as scary as the monsters is the eerie sense of quiet during the film and the credit must go to the sound design team, seamlessly moving from a natural quiet to complete silence when viewing the action from the perspective of the deaf daughter Regan (played by real life deaf actress Millicent Simmonds). Similarly, Marco Beltrami's score is used sparingly but effectively.
Speaking of which, this reviewer has never experienced a Friday night horror crowd that as silent as the movie. So caught up in the concept that it felt as if they were as frightened to make a sound as the characters in case the monsters came for them.
In A Quiet Place, silence is not only golden, it's survival. However it is safe to say that audiences and critics won't stay silent after watching it and this will turn into the breakout horror film of the year.
5 stars
Tuesday, 22 December 2015
Top 15 Films of 2015
Monday, 2 March 2015
Top 21 Horror Films since 2000
Following the release of the 5 star It Follows, the best horror film of 2015 and destined to be a cult classic, I've decided to look back and pick the 21 best horror films of the last 15 years.
I was initially going to limit it to 15 films (i.e. the best horror film of each year) however 2012 proved a particularly strong year so upped the limit to 21 films.
The list contains 9 American, 5 British, 3 Japanese, 2 Spanish, 1 Australian and 1 Swedish film.
Interesting to see how my tastes have varied across the years going from an Asian Extreme vibe through body horror to European then a resurgence of UK/US horrors, in particular those that pay homage or deconstruct the genre.
2014 - The Babadook
Heed my advice. Just take a look. You'll be thrilled and scared by The Babadook.
2013 - Maniac
Elijah Wood butchers the memory of Frodo and stuffs the remains into a bin in this first person horror which draws the audience into the mindset of a killer and makes them complicit in his gory actions.
2012 - Sinister
Ethan Hawke delivers a great performance as a writer who may or may not be driven crazy as he investigates a series of brutal killings for a book he is writing. "Lawn Work" provides the biggest jump scare since the bus moment in The Orphanage.
2011 - Kill List
A film that descends into a darker and darker place as it goes on and prompted me to exclaim "What. The F*ck?" when it ended.
2010 - Black Swan
An Oscar-winning horror film? Indeed it is, certainly from my perspective. This is a "Were-Swan" horror with echoes of Polanski as a ballet dancer is driven to the edge of madness as she struggles to cope with the pressures of the dual roles in Swan Lake.
2009 - Let The Right One In
Devoid of sparkle, this was the perfect antidote to Twilight and one of the best vampire movies in years, along with being an incredible love story.
2008 - The Orphanage
A brilliant old-fashioned ghost story that, like The Babadook, explores the darker side of maternal loss.
2007 - [*REC]
Before Paranormal Activity caused every horror film to be filmed from a found footage perspective, this Spanish horror breathed life into a sub-genre that hadn't really been exploited since The Blair Witch Project in 1999.
2006 - Slither
This is body horror at it's most body orientated and most horrific (as well as its funniest). James Gunn created some of the most revolting scenes committed to film since David Cronenberg's Eighties heyday.
2005 - The Descent
It would have made this list for that "Night Vision" camera jump scene alone but it is a tense, gripping horror in two halves with claustrophobic cave crawling scenes at the beginning before giving way to a traditional horror once the group discover they are not alone in the caves. Also receives bonus points for having an all-female cast.
2004 - Saw
It gave a jump start to the body horror genre, and prompted several sequels which all tried to outdo the previous entry by coming up with even more inventive traps to kill people, but the first Saw remains a great horror that genuinely surprised me with the twist at the end.
2003 - Ju On: The Grudge
2002 - 28 Days Later
The film that reinvented the zombie genre... even though it is not technically a zombie movie. It have given the world fast moving zombies... even if they were just people infected with a rage virus but even more terrifying than that were the scenes of deserted London.
2001 - Audition
I first saw this film late one night on Channel 4 and thought I was watching a Japanese romance until the moment when the bag moved. Then there is the final segment which I won't spoil here but suffice to say I can never here the phrase "kitty kitty kitty" in the same way again!
2000 - Ringu
Going full circle (hah) from It Follows, Ringu is the earliest film on the list and also centres on a curse that must be passed on in fear of death. It was one pf those films that came to me through word of mouth, introduced me to Asia Extreme films and one of the first horror films since The Shining to truly frighten me and make me scared to turn on my VCR!
The Best Of The Rest
Berberian Sound Studio
The Cabin In The Woods
Hostel
Oculus
Paranormal Activity
The Woman In Black
Saturday, 28 February 2015
It Follows - review
Now and again, a horror film comes along with a central concept that is so simple yet so devilishly brilliant that you'll be kicking yourself for not thinking of it first.
In It Follows sexually promiscuous teenagers are stalked by a mysterious figure who slowly walks towards them. They can run, they can hide but it will always find them and like the curse in Ringu the only way to get rid of it is to pass it on to someone else through sexual intercourse.
That's right, It Follows not only refers to the 'It' that follows the victims to their deaths but also it can refer to the world's most persistent STD that not amount of pills or creams will be able to treat!
The modus operandi of the film's monster is one of the best in recent years, arguably the best since the Weeping Angels in the Blink episode of Doctor Who.
The film's tagline is "It doesn't feel. It doesn't think. It doesn't give up." and reminded me of Kyle Reese's warning in The Terminator: "Listen, and understand. That terminator is out there. It can't be bargained with. It can't be reasoned with. It doesn't feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead."
The way that 'It' slowly and silently stalks its prey (along with a retro synth score that has also featured to great effect in recent horrors like Maniac, The Guest and Cold In July) brings to mind the infamous 'The Shape' aka Michael Myers in John Carpenter's seminal Halloween.
Not only that but the leafy suburban setting of the film is reminiscent of Haddonfield and Carpenter's horror was one of the first to look at the correlation between sex and death, with those who indulged in pre-marital relations being punished for it by being brutally murdered.
Indeed following on from last year's excellent The Guest, Maika Monroe is in a prime position to become this generation's "Scream Queen".
Writer-Director David Robert Mitchell has crafted a movie that not only delivers a message but also plenty of scares, and in a bold move he is not afraid to set many of its most unsettling scenes outside in broad daylight. The entire film has a calm, assured execution and direction that hints at a bright future in the horror genre
Just like the figure that stalks the protagonists, It Follows will haunt you for many days after you see it, unable to shake off this horror masterpiece.
5 stars














