Showing posts with label Bryce Dallas Howard. Show all posts
Showing posts with label Bryce Dallas Howard. Show all posts
Wednesday, 6 June 2018
Jurassic World: Fallen Kingdom - review
"That's how it starts with 'ooohs' and 'aaahhs' but later there's running and screaming"
Jurassic World breathed new life into an all-but-extinct franchise back in 2015, to the tune of over $1 billion dollars, prompting the "ooohs" and "aaahs".
Now Fallen Kingdom could cause the running and screaming from the franchise as it splits audiences like a T-Rex tearing through a lawyer on Isla Nublar.
While Jurassic World was a success, there were some that felt it was just rehashing the original story for a new audience. Similar to what Star Wars did with the Force Awakens.
Well if World is Force Awakens, then Fallen Kingdom is definitely The Last Jedi because it will divide the fans by destroying what has gone before (metaphorically and literally by blowing up the original island) and forging its own path, albeit for better or worse.
At first glance, this did not appear to be the case as the first trailer and the first hour of the film play out like a beat-for-beat retread of The Lost World.
Character with previous bad experiences in the park is summoned to an old man's mansion and asked to return to help save the dinosaurs. In this case it is Bryce Dallas Howard's Claire, who is re-introduced via a shot of her much maligned high heels, before pointedly switching to boots upon the island. There, like Malcolm did in the original, they team up with an ex and a couple of thinly sketched supporting characters to save the day but are hindered in their efforts by a bald hunter in khakis who may or may not have a hidden agenda.
In fact, Ted Levine's character seems to be dressed as the lead truck Nazi from Raiders of the Lost Ark and the whole first act has a Indy trying to recover the Ark from the Nazis-vibe with the team hiding on board a boat and dressing like the villains. Even Giachianno's score has a familiar theme to that other Spielberg classic.
Once they are off the island, following one of the most emotionally moving shots in the saga and indeed of the last few years of cinemagoing, J.A. Bayona is finally able to take the franchise in a new direction. Like a geneticist, creating a new hybrid of dinosaur perhaps.
Having made his name with The Orphanage, Bayona goes back to the well by setting the remainder of the film within a creepy mansion. This one also features a dark secret in the basement but unfortunately this is a surprise that was spoiled by the final trailer for the film.
To be honest, if you have seen that trailer, you have seen Fallen Kingdom as there are no real surprises left to be had.
At one point, Claire asks Owen (Chris Pratt), "Do you remember the first time you saw a dinosaur?"
For many of us, our idea of what a dinosaur is and looks like was from Jurassic Park and the incredible animatronics.
Sadly, the majority of the dinosaurs in this film are now CGI and they do lose some of that sense of wonder knowing they were created in a computer rather than a lab. Which is a huge shame given how well the effects from the original film still hold up.
The over-reliance on CGI dinosaurs and the 12A rating mean that Bayona's attempts to create a stalk n slash style horror mood in the third act lose some of their power and the end result is as toothless and neutered as a hand-reared velociraptor.
Mild spoilers coming after the scary dinosaur...
Please can we call time on the T-Rex suddenly appearing in shot to eat something/someone? Yes it is a shock for the audience but are we really expected to still believe that the dinosaur or character does not see or hear it coming?!
End of spoilers. Here is a happy dinosaur!
Anyway, the kid at the beginning of the first Jurassic Park said it best, "that's not scary, looks more like a six foot turkey". That's what Jurassic World Fallen Kingdom is, a giant turkey that is about to go extinct.
2 stars (would have been 1 star but for the Brachiosaurus shot)
Wednesday, 19 October 2011
The Help - review
I'm sure I have heard and read about several actresses complaining that there are "no good roles for actresses these days", that is either the romantic lead or the frumpy best friend, and sometimes the two are not mutually exclusive.
But after seeing The Help, I can conclude that these actresses must not have read the script for it, auditioned for it, or seen the finished product, as there at least 8 well written and strong female characters in it.
It is the estrogenic counterpoint to Tinker Tailor Soldier Spy, which was criticised in some quarters for not having many female characters in it (the same now goes for Tintin too), as The Help features only a handful of male roles in it. Somewhat ironically then, you could argue that the biggest role, a love interest for Emma Stone's character, feels tacked on and unnecessary and if cut out, could have improved the film if not just the overlong running time.
Some people out there will be quick to label this tale of a young white woman interviewing black maids in the Deep South of the USA for a tell-all expose during the early sixties as "an issue movie" and move on. Yes, it deals with the touchy subject of Civil Rights, but this is certainly not Crash. That Oscar winning yet incredibly overrated film repeatedly used a sledgehammer to reinforce its point that "Everybody is a little bit racist" over the course of two hours when Avenue Q did it in less than four minutes.
The Help was not actually based on a true story, as I initially though, but it does have an authenticity to it and yet it is hard to believe the attitudes and behaviour of some people back then. The ignorant racism that was rampant back then is still shocking (although due to the 12A rating it shies away from the more physical brutality that many face) and is given a face in the form of Hilly Holbrook (played with relish by Bryce Dallas Howard). She is like a Stepford Wife programmed by the KKK.
The film is smart enough not to become too preachy and presents a balanced side to the argument, so we get supportive white characters like Skeeter Phelan, played by Emma Stone (my infatuation with Miss Stone continues to grow, almost to the point where I might make a YouTube video confessing my love for her) and white trash Celia Foote (the omnipotent Jessica Chest-ain, who has some excellent underwire work in this movie), and during the maids' testemonials they tell nice stories as well as bad.
Like TTSS, The Help features one of the best ensemble casts this year, full of excellent performances from the likes of Stone, Howard, Chastain, Allison Janney and Octavia Spencer but if you want to place a bet come Oscar season, I would say the smart money will be on Viola Davis to feature highly on many people's voting slips. Her Oscar clip will undoubtably be the scene where she recounts the day her son died. Very moving and is a pivotal moment in the story.
The tagline for the film is "Change begins with a whisper", but I'm shouting it loud so all can hear... get yourself some Help and get down to the cinema to see one of the best films of the year!
4 stars
But after seeing The Help, I can conclude that these actresses must not have read the script for it, auditioned for it, or seen the finished product, as there at least 8 well written and strong female characters in it.
It is the estrogenic counterpoint to Tinker Tailor Soldier Spy, which was criticised in some quarters for not having many female characters in it (the same now goes for Tintin too), as The Help features only a handful of male roles in it. Somewhat ironically then, you could argue that the biggest role, a love interest for Emma Stone's character, feels tacked on and unnecessary and if cut out, could have improved the film if not just the overlong running time.
Some people out there will be quick to label this tale of a young white woman interviewing black maids in the Deep South of the USA for a tell-all expose during the early sixties as "an issue movie" and move on. Yes, it deals with the touchy subject of Civil Rights, but this is certainly not Crash. That Oscar winning yet incredibly overrated film repeatedly used a sledgehammer to reinforce its point that "Everybody is a little bit racist" over the course of two hours when Avenue Q did it in less than four minutes.
The Help was not actually based on a true story, as I initially though, but it does have an authenticity to it and yet it is hard to believe the attitudes and behaviour of some people back then. The ignorant racism that was rampant back then is still shocking (although due to the 12A rating it shies away from the more physical brutality that many face) and is given a face in the form of Hilly Holbrook (played with relish by Bryce Dallas Howard). She is like a Stepford Wife programmed by the KKK.
The film is smart enough not to become too preachy and presents a balanced side to the argument, so we get supportive white characters like Skeeter Phelan, played by Emma Stone (my infatuation with Miss Stone continues to grow, almost to the point where I might make a YouTube video confessing my love for her) and white trash Celia Foote (the omnipotent Jessica Chest-ain, who has some excellent underwire work in this movie), and during the maids' testemonials they tell nice stories as well as bad.
Like TTSS, The Help features one of the best ensemble casts this year, full of excellent performances from the likes of Stone, Howard, Chastain, Allison Janney and Octavia Spencer but if you want to place a bet come Oscar season, I would say the smart money will be on Viola Davis to feature highly on many people's voting slips. Her Oscar clip will undoubtably be the scene where she recounts the day her son died. Very moving and is a pivotal moment in the story.
The tagline for the film is "Change begins with a whisper", but I'm shouting it loud so all can hear... get yourself some Help and get down to the cinema to see one of the best films of the year!
4 stars
Subscribe to:
Posts (Atom)
