Showing posts with label Jon Hamm. Show all posts
Showing posts with label Jon Hamm. Show all posts

Saturday, 30 June 2018

Tag - review


Tag, as the poster emphasises, is "based on a true story" that sounds too bizarre to be true. It is inspired by a Wall Street Journal article about a group of friends who had been playing the same game of tag since childhood.
Would a big screen adaptation be able to turn this strange tale into something cinematic?
Will Tag be a case of "You're hit!" or "You're Shit!"?
An amusing prologue where Ed Helms' character Hogan "Hoagie" Malloy gets a job as a janitor at Jon Hamm's company for the sole purpose of tagging him while being interviewed for the Wall Street Journal helps to set up the premise.
Every May the friends play an elaborate game of tag that involves pranks, subterfuge and a lot of cross country travel. The film comes at the story from a "men on a mission" angle as Ed Helms character gets the gang back together to join forces to take down one particular man.
Their target is Jerry (played by Jeremy Renner), the member of the group who has never been tagged in 30 years and is planning on retiring undefeated at the end of the season. At least it answers the question of what Hawkeye was up to during Infinity War. Playing tag.
The group see their opportunity with only a few days left in the competition as Jerry is getting married, potentially leaving himself exposed.
However, Jerry is the best to ever play the game and has superhero-level skills and reflexes to help him avoid being tagged and take down the gang. And so begins an all out war that threatens to not only disrupt the wedding but also the group's lifelong friendship.
The tag scenes themselves are well staged. From Renner's spider-sense narration of talking through how he will defeat his enemies to an incredibly effective homage to Predator as Jerry takes out the group one by one in a forest next to the country club hosting his rehearsal dinner.
But deep down, the film understands that this is story about friendship and the plot feels more akin to a high school reunion movie as the group come back home, meet old flames, reminisce about old times and reevaluate their futures.
The ensemble cast have good chemistry together and you have each archetype; Jock (Renner), Stoner (Jake Johnson), Success (Jon Hamm), Sad sack (Ed Helms) and if this was South Park we know what Hannibal Buress's character would be called.
While their on-screen relationship is believable, it would have been good to see more time spent on characterisation. Buress is dealing with some mental health issues and Renner is a recovering alcoholic but the group gloss over this fact to use the meeting to try and trap him rather than help him.
If the characterisation is given short shrift, then the same can certainly be said for the female characters who have nothing really to do expect act as enablers or obstacles to the challenge.
A quote that is repeated throughout the film is "We don't stop playing because we grow old. We grow old when we stop playing".
There is certainly a danger that with a feature length film about tag that the playing of it could get old real fast but it has enough charm and heart to keep audiences game for a laugh.

Plus bonus points for bringing Mmm Mmm Mmm Mmm by Crash Test Dummies back into the social consciousness.

3 stars


Wednesday, 21 June 2017

Baby Driver - "Wheelie F*cking Good"


The first words in my head to describe Baby Driver after emerging from last night's Cineworld Unlimited Preview were "Wheelie F*cking Good" and not my words Carol but the words of Top Gear Magazine!

Edgar Wright's long term passion project (that wasn't Ant Man) has been parked in neutral for several years but now he has ditched the Cornettos in favour of a Zoom as Baby Driver is the most exhausting thrill ride since Mad Max: Fury Road because one it puts the pedal to the metal, it doesn't take its foot off the gas.

Born out of a music video he directed for Mint Royale and the idea of setting a car chase to the tune of Jon Spencer Blues Explosion's song Bellbottoms, this is Wright's love letter to the classic car chase movies. Now we're talking about The Driver, Bullitt, French Connection, etc. NOT The Fast & The Furious franchise.

Wright's first film as sole writer/director is a "World's End" away from Spaced and the Three Colours Cornetto Trilogy. This is a much more American Hollywood style of filmmaking, albeit with some traditional Wright-esque flair when it comes to editing and use of music, with virtually every action sequence meticulously timed to the beat of the song. Think of Michael Mann directing Drive choreographed by Bob Fosse.

Following Scott Pilgrim where Wright worked with Captain America, Captain Marvel, Superman and a Punisher, here he continues to expand his superhero collection with Lex Luthor (Spacey), Electro (Jamie Foxx) and another Punisher (Jon Berthnal). I wonder if Dolph Lundgren will appear in his next film?

Performances are strong across the board with extra praise going to Ansel Elgort (NOT Angel Elsort as I am prone to typing) delivering a breakout, star making role as the getaway driver who just wants to get away, and Jon Hamm having a lot of fun getting to switch gears throughout the three acts.

A breath of fresh air in a multiplex full of sequels and remakes, fantastic reviews and strong word of mouth should drive audiences to the box office ensuring that nobody puts Baby Driver in the corner this summer.

5 stars