In Darkness - EIFF review

Synopsis:
Game of Thrones star Natalie Dormer is terrific in this psychological revenge thriller directed by Anthony Byrne from a script co-written by Dormer and Byrne. Dormer plays Sofia, a blind musician drawn into London’s criminal underbelly when her neighbour Veronique (Emily Ratajkowski) dies in the apartment upstairs. Initially, police believe it is suicide, but Veronique, the daughter of an alleged war criminal, knew she was in trouble. Caught between the police and criminals, Sofia must try to survive.

Review:
Having found herself at a loose end following the latest season of GoT (sorry, spoilers), rather than wait to for a good meaty role to come her way, Natalie Dormer has been very proactive.

Producing a film to star in that passes the Bechdel test plus writing herself a seriously, juicy role in Sofia.
The film, directed and co-written by Dormer's fiancee Anthony Byrne, begins very strongly with an homage to DePalma's Blow Out and introduces the audience to Sofia as a pianist who works on movie scores.
The following journey home to her flat in London features some fantastic use of sound design and mixing which highlights the importance of this sense to Sofia's ability to manage and survive day to day life.
One night she hears her upstairs neighbour in a struggle before falling to her death which leads Sofia into a deadly mystery.
The start of the movie indicates the film might be something akin to Rear Window or Wait Until Dark.
Instead it turns into a cross between a Eighties/Nineties erotic thriller and Eastern Promises.
Dormer delivers a committed and intense performance, convincing as a person who has suffered from blindness all her life.
The film is slickly edited and the cinematography elevates the action as it becomes increasingly ridiculous through a variety of twists that like the main character, you might not see coming.
In the kingdom of the blind movies, Natalie Dormer is Queen.

3 stars

In Darkness screens at the Edinburgh International Film Festival on Tuesday 26th June, 6.00 and Thursday 28th June, 8.35. To book tickets, click here.
The film is on general release in the UK from Friday 6th July.

Listen to The Nerd Party interview Anthony Byrne and Natalie Dormer on the Filibuster podcast here.

Lucid - EIFF review

Synopsis:
Timid Zel (Laurie Calvert), adrift in a city with no friends, simultaneously craves and fears intimacy. His eccentric neighbour, Elliot (Billy Zane), offers to help him try and win over dancer Jasmine (Felicity Gilbert) using an experimental form of dream therapy. While this so-called lucid dreaming helps him change and become more confident, his lust leads him on a dark adventure and the question remains as to whether he can charm Jasmine in reality.

Review:

Laurie Calvert delivers a quirky but sympathetic performance as Zel, a young man with a potential history of mental health issues who is plagued by a crippling shyness and inability to talk to girls. He makes the decision to listen to his friend Billy Zane (he's a cool dude) and starts to experiment with Lucid dreaming in order to practice wooing his dream girl who lives in his building.

Descending into the dream world, Zel immediately appears more confident, not only in terms of action but appearance as well (although one wonders why the decision was made to give him a hairstyle that resembles Donald Trump's). He is able to become the man he wishes he could always be; standing up to his bully of a boss and speaking to the woman in his life.

Imagine Inception except instead of an idea, the goal is to plant the seed of love.

This confidence starts to transfer over to the real world but the more and more Zel experiences with lucid dreaming, the more he begins to lose his grip on reality and is unable to determine which world he is in and in control of.

Lucid is a confident debut from writer/director Adam Morse who experiments with lucid dreaming himself. Even going so far as to rehearse shooting the scenes in his head in advance while asleep. What is even more astonishing is that Morse revealed that he is actually registered blind just one week ahead of the film's premiere in Edinburgh.

Any visual impairment that the director suffers from is certainly not evident in the visuals on screen as it has differing palettes for the real and dream worlds that slowly converge the deeper Zel goes.

There is bound to be some frustration from audiences relating to the ending but it is important to remember that this is not our lucid dream it is the director’s.

He is in control and the thing with dreams is they never end exactly when we want them to and that is what the film does well and will lead to some interesting debate and discussions in the foyer after the credits roll.

3 stars

Lucid received its World Premiere at Edinburgh International Film Festival on Saturday 23rd June, 8.35 with another screening on Sunday 24th June, 3.45. To book tickets, click here.

To listen to interviews with director Adam Morse and lead actor Laurie Calvert, check out this episode of the Filibuster podcast on The Nerd Party.