Spider-Man: Far From Home - review

Spider-Man: Far From Home is the 23rd film in the Marvel Cinematic Universe and it finds itself in a similar situation to the Ant-Man films. After the overwhelming intensity and drama of the Avengers movies, the stakes for Spider-Man's European Vacation (or Magical Mysterio Tour) are smaller, the tone needs to be lighter and more hopeful but it also must nail the superhero landing and bring Phase 3 to a close whilst simultaneously addressing "The Blip".
The Blip is canonically what the MCU is calling the second snap which brought back half of the world's population following Thanos's original snap... although why they didn't call it "The Snappening" we will never know.
To be fair, Far From Home hits the ground running with a poignant but amusing high school news video bringing everyone quickly up to date with how those teenagers who disappeared would fit back into school... in short they must take their midterms again but get rewarded with a trip to Europe for a science holiday. Conveniently, all the main characters from Homecoming all got snapped at the same time so the gang is all here.
Peter is having the hardest time adjusting. Aunt May seems to be flirting with Happy Hogan. He is dealing with burgeoning feelings for MJ and he is struggling to cope the loss of Tony with the pressure of being the hero as the world looks to someone to take over the mantle of Iron Man.
That hero could just be Quentin Beck, a mysterious superhero dubbed Mysterio by a mispronunciation on Italian TV. With armour that looks like Thor, mystical green powers like Doctor Strange and the flight capabilities of Vision, he is the Avengers all rolled into one... well, at least the ones who like to wear capes!
Not only can he fill the shoes of Iron Man but he could fill the role of surrogate father that Peter has struggled to replace following the deaths of his father, Uncle Ben and now Tony.
Tom Holland has continued to grow into the role since Civil War and is now the definitive on-screen Peter Parker and Spider-Man... and Night Monkey. He is able to go from comedic one-liners to tearing your heart out at the flick of a web shooter and will undoubtedly be the heart of the MCU going forward into Phase 4.
Newcomer Gyllenhaal is excellent as Beck/Mysterio and the film truly comes alive in the second half of the film once Gyllenhaal goes, as I like to dub, "full Okja" which leads to a sequence that easily tops Doctor Strange's trippy visuals as Mysterio's demonstrates the full extent of his powers.
To discuss much more would stray too close to the deadly spoiler realm so... spider-lips are sealed.
Director Jon Watts has so far taken Spider-Man from New York to Washington in Homecoming and now on European Vacation in Far From Home so I expect the next logical step is to complete his trilogy and have the next film set at Christmas.
Phase 3 may have come to an end but the two incredible post-credit scenes, it is far to say, have flipped everything upside down and it will be very interesting and exciting to see where Spider-Man and the MCU are headed.

3 stars

Ant-Man and the Wasp - Review

When the original Ant-Man was released, it could be fair to say that some Marvel fans (this reviewer included) did not have high hopes following the departure of writer-director Edgar Wright.
It turned out however, that the finished film turned out to be a light, fluffy, bite-sized delight that was the perfect palette cleanser after the all-you-can-eat buffet that was Avengers: Age of Ultron.
Fast forward three years and seven films later and Ant-Man and the Wasp arrives, once again on the back of a super-sized Avengers main course. Will it be another fun-filled treat that will help lift the mood of Marvel fans following the events of Infinity War or is there another sting in the tale?
The sequel makes the wise move to distance itself from Infinity War in terms of tone but also in terms of timeline. Instead setting itself in the couple of weeks before Thanos's masterplan comes into effect.
Speaking of Thanos, any film following the biggest bad in the Marvel Cinematic Universe would have an impossible act to follow. That is why they make the smart move in that this film doesn't really have an out-and-out villain, despite what the trailers lead you to believe.
Instead, characters like the quantum phasing Ghost (Hannah John Kamen) and weapons dealer Sonny Birch (Walton Goggins) are more obstacles for the team to overcome in the main quest to bring the original Wasp back from the Quantum Realm.
The film begins with a flashback to 1987 when Hank and Janet go off on their ill-fated mission, saying goodbye to a young Hope. It is a nice scene that helps to develop the bond between mother and daughter and instantly increases the emotional investment.
It is also another opportunity for Marvel to give a pay raise to the team who de-age the actors in these movies because the work they do here on Michael Douglas and Michelle Pfieffer is breathtaking... that is up to the point when we meet her later in the film and you realise that she has hardly aged at all and clearly must be drinking from the same fountain of youth as co-star Paul Rudd.
Rudd once again has a writing credit on the screenplay, much like Ryan Reynolds in Deadpool, which means he has had a huge creative hand in developing the character into the likeable Everyman the audience wants to see win the day but at times is his own worst enemy. Particularly with his actions in Civil War having a dramatic impact on his life, his family and his relationship with Hope and Hank.
Rudd might still be the first name above the credits but he is not the only hero as this marks the first film in the MCU with a female hero in the title.
Evangeline Lilly grabs the brass ring with both hands and flies through the glass ceiling, paving the way for Captain Marvel to follow her.
Importantly the film reintroduces her with a solo action scene in which she defeats a group of armed goons singlehanded (without the need of a man to help her or bail her out of trouble).
Of course, the title suggests that this is the formation of a crime fighting duo and the two actors build on the chemistry from the original and it has developed into the best MCU partnership since Thor & Loki. Their constant verbal sparring (and flirtatious banter) is reminiscent of a 30s/40s screwball comedy.
One of the successes of Ant-Man was the uniqueness of the action set pieces that organically grew out of the hero's abilities in the suit and the gadgets and powers that came with it. Just like transforming from the size of an ant to a giant, this film expands on the visual flair of the fighting style to incorporate not only hand-to-hand combat but also now car chases and Innerspace-style journeys to the Quantum Realm.
It was a very self-contained story, similar in many respects to this year's Black Panther, but this could have major implications going forward for the MCU, particularly in the battle against Thanos, as we delve even deeper into the Quantum Realm and the effect and power it can provide those who interact with it.
So while it is very much the light comic relief when compared to the rest of the recent output (Thor Ragnarok aside), it is heartwarming to see it lean into it and embrace its role within the Marvel Cinematic Universe. This reviewer found himself laughing out loud even before Birch asked Luis a question while under the effects of truth serum because you know what was coming. And it was glorious.
The jaw-dropping mid credit scene means that all bets are off as to the characters roles in Avengers 4 but it is safe to say that Ant-icipation levels are sky high now.

4 stars

Road to Infinity War - Phase 3 - Black Panther (2018)

First thing's first. No Soul Stone here in Wakanda. Just a ton of Vibranium waiting to be turned into a shield or thousands of murder bots. All the Marvel fans were wrong. It isn't there. The teaser for Infinity War showing the massive battle in Wakanda wrong footed us all. It's not the Soul Stone they are protecting but Vision and his Mind Stone.
So where is the Soul Stone? Who cares, for now it is time to discuss the highest grossing superhero film in US history, Black Panther.
For a film that comes directly before Avengers Infinity War, it is surprisingly self-contained and features very few references to the wider Marvel Cinematic Universe beyond the return of the two "Tolkein" white guys Everett Ross and Ulysses Klaue (Martin Freeman and Andy Serkis).
I was slightly indifferent to the film first time round, and you can read that full review here.
Rewatching on the Road to Infinity War, it has improved in some areas but there remain some rather large flaws. Particularly in the final act.
The first half of the film remains very strong as it plays out like a Bond movie with T'Challa as Bond, sister Shuri as Q, with Okoye and Nakia as anything but Bond girls. The entire Busan sequence is the standout highlight of the movie.
Once the action returns to Wakanda and Killmonger has made his play for the throne, that's where things get a little bit... The Lion King.
Think about it. A son mourning the death of his father is usurped to the throne by a treacherous, vindictive relative who believes they should be King. Following a period of self-discovery that involves speaking with his dead dad, returns to fight and claim the throne that is rightfully his. Accompanied by M'Bakku and Ross aka Timon and Pumba.
Joking aside, the final battle is where the film lets itself down. The CGI is not as sharp as other MCU films and the face off between T'Challa and Erik in their Panther suits on a rail track looks like a deleted scene out of Tron Legacy.
There is also the bizarre moment that a war rhino stops charging when Okoye steps in front of it. This plot point was not mentioned previously but it also is exactly the same as a moment involving Elton John of all people in Kingsman 2.
It is a shame that it doesn't nail the landing because the relationship between the once and future kings is fascinating and has parallels to Martin Luther King and Malcolm X (and also Professor X and Magneto). They both ultimately have the same goal but want to achieve it in very different ways.
Still, the performances are fantastic and while Jordan's charisma and swagger threatens to overshadow Boseman, there is purpose to it in uniting some of the Wakandan tribes to his cause, and leads to his powerful speech about how death is better than bondage.
While certainly not a perfect film, the foundations for the Black Panther franchise and place within the MCU are as strong as vibranium.

Infinity Stone counter = 5

Road to Infinity War - Phase 3 - Doctor Strange (2016)

Things to take quantum leap forward in the Marvel Cinematic Universe thanks to Doctor Strange. We had previously seen travels into the Quantum Realm in Ant-Man and this film would take that to the max with multiple mystical dimensions along with a hint of magic. Or is it science? As Thor would say "I come from a world where they are one and the same."
Strange was mentioned in passing during The Winter Soldier but it took another four films before he would make an appearance. Why? It could be argued that his powers were too great to be involved in the Civil War fight as he could have easily influenced the final outcome with a quick spin on the Eye of Agamotto.
Instead, Mister Doctor is given an origin story set some time during the increasingly confused MCU timeline (but one that ends synced up to the events in Thor Ragnarok).
In terms of plot, this is the most straightforward origin tale that Marvel has done since the original Iron Man.
Benedict Cumberbatch is well cast as the pompous, over-opinionated surgeon and he plays it as though he is doing an impression of Hugh Laurie doing his House accent. Following an accident in which he loses the use of his hands, he travels to Nepal in search of answers on how to heal himself and that is where he finds Kamar-Taj and the Ancient One (Oscar winner Tilda Swinton).
One of the first things that is noticeable about the film is the cast list. Cumberbatch, Swinton, Ejifor, Mikkelsen, McAdams. It reads more like an Oscar contender than a superhero blockbuster and it is to Marvel's credit that they are now in a position to attract this calibre of talent for lead and supporting roles.
So while the plot might be straightforward, the visuals are anything but. Twisty, turny and dizzying to the point that it feels like if Inception had labyrinthitis, they are unique within the MCU and make for a welcome (and by this point needed) change to the formula). Beyond Strange's first trippy, er, trip into the Quantum realm that borders on the horrific, it is the Manhattan sequence that is the stand out.
Thankfully, the mirror realm allows the wizards to fight without causing any destruction or death to the people of New York (goodness knows they've been through enough!).
And it was nice to see a novel twist on the third act climax with having Strange stuck in a Groundhog Day-style time loop being killed over and over again by the big bad Dormmamu until he agrees to bargain. Was a nice change to having the hero solve the problem with their fists.

Infinity Stone counter = 5 (Time Stone)

Road to Infinity War - Phase 3 - Captain America: Civil War (2016)

Phase 3 kicked off in style with the stealth Avengers film Captain America: Civil War aka Avengers 2.5.
Admittedly there were a few worries going into the film that this was simply going to be an Avengers ensemble film rather than a Captain America film. The Russo brothers however managed to find a way to distil the story about the breakdown of the Avengers to actually further Steve Rogers' story by making the Jenga piece that threatens to topple the whole be James Sebastian Barnes aka The Winter Soldier.
Inspired by Mark Millar's game-changing comic series that crossed over many of Marvel's titles at the time, heavily influencing future storylines, it focused on the issue of a Superhero registration act that would force heroes to reveal their secret identities and become government employees.
As this was not an issue in the MCU due to the fact that most of the heroes were not hiding their identities, the storyline had to be adapted to fit in with the movie universe.
Following the events of Age of Ultron, the Avengers find themselves subjected to legislation called the Sokovia Accords. This would make them answerable to the United Nations, something that Tony agrees with but Steve refuses to sign. The battle lines are drawn between the Avengers as everyone has a different opinion on whether or not it is a good thing. Something which in particular affects Scarlet Witch and Vision's relationship which sets things up nicely for further exploration in Infinity War.
Just as the Accords are due to be passed, Bucky Barnes bombs the UN causing the death of Wakanda's King T'Chakka. This introduces audiences to the character of Black Panther in the form of his son Prince T'Challa (Chadwick Boseman). He desires revenge and goes after Barnes but Rogers sets out to protect his friend, unwilling to believe he was behind the bombing.
Upon his capture, which sees the reintroduction of Steve Rogers' beard... no, not the one in Infinity War, Sharon Carter of course, the Winter Soldier is released by a man called Zemo (Bruhl) using a HYDRA mind control technique.
In order to solve the mystery and bring his friend back, Captain America cuts ties with the Avengers, putting him on a collision course with Stark. Something that will cause all the heroes to pick a side and lead to the MCU's most iconic and fantastic scene: the Superhero Smackdown.
This was the scene that Marvel fans had dreamed of ever since Nick Fury turned up at the end of Iron Man. The chance to find out the answers to the geeky questions like "who would win in a fight? Falcon or War Machine? Ant-Man or Spider-Man?
Yes, just one of the reasons that Civil War is so good is that it is the film that brought Spider-Man into the MCU and boy does he make a great first impression. Tom Holland is perfect as the young teenage Peter Parker and he gets some wonderful moments, particularly with Cap, Falcon and Bucky.
Every character gets their moment to shine but it is Paul Rudd's Ant-Man who steals the show here with his transformation into Giant Man. When Ant-Man was first released I thought that he would transform when returning from the Quantum Realm and burst through the house but they wisely saved it for this and it was completely worth it.
It isn't just the fight at the airport but every action sequence that cemented the Russo brothers as the kings of the Marvel castle. Even going so far as to take a page out of the Marvel TV series playbook and include a fight in a corridor and stairwell.
Ultimately, the film comes down to Cap vs Iron Man as the scheme that Zemo has been plotting turns out to be a more twisted revenge tale than Oldboy as it is revealed that Barnes was the one responsible for killing Stark's parents. This results in the most emotional fight so far (even more so than Thor vs Loki) and one that puts the final nail in the coffin of the Avengers as Steve chooses Bucky over Tony "I'm sorry, Tony but he's my friend", "So was I".
Will we see the old team back together in Infinity War, only time will tell.

Fun fact: Hawkeye calls Tony "The Futurist" which is the name of the album that Robert Downey Jr released in 2004.

Infinity Stone counter = 4

Road to Infinity War - Phase 2 - Ant-Man (2015)

The greatest "What If?" in the history of the Marvel Cinematic Universe. Out there in the Quantum Realm somewhere there is a version of the MCU that still features an Ant-Man that was directed by Edgar Wright.
Fans of the Cornetto Trilogy were feeling rather negative towards the film before it came out, saying that this was finally going to be Marvel's first genuine misstep and flop but...
Trust in Feige and the MCU because in spite of all the troubles and issues going into the production, the final result is actually a very fun and enjoyable Marvel film, albeit it on a smaller scale than Age of Ultron (pun intended) and the perfect palette cleanser.
Paul Rudd is a fantastic choice for Scott Lang, who is drawn into a scheme to stop the original Ant-Man Hank Pym's protege from recreating the technology. He perfectly captures the wide-eyed cynicism to the ridiculousness of the entire situation and it helps draw the audience into this world.
It certainly plays to Rudd's strengths, playing up the humour "Baskin Robbins always find out" and he is given a terrific sidekick to spark off in Michael Pena's Luis with his fantastic flashback explanations.
NB: Marvel, please release the Comic-Con video of Pena explaining the entire MCU history to Michelle Pfieffer before Infinity War comes out!
While Pym has handpicked Scott Lang to be the one to take on the mantle (or should that be Antle) of Ant-Man, this puts Scott at loggerheads with Hank's daughter Hope Van Dyne (Evangeline Lilly) who believes she is the worthy successor but at odds with her father because of a past family tragedy that will drive the narrative forward in the sequel Ant-Man and the Wasp.
With Marvel keen to put a different spin on each of their movies, this one can definitely be described as a heist movie with a lot of time spent on Lang training for the job (including the contractual Marvel shot of Rudd with his top off to prove that he has worked out enough to have a six-pack) and putting the plan into action.
Peyton Reed does a good job of delivering the action but there are still moments in the film that still feel like Wright (he retained a screenplay credit) such as the train fight sequence at the end with a cameo from Thomas The Tank Engine.
However if there is one person who deserves a huge amount of credit for the success of Phase 2 and 3 in the MCU, it is the person responsible for the visual effects that de-aged Michael Douglas in the opening scene as the result is astonishing (and would be repeated in Civil War and Guardians Vol. 2). It is creepily realistic and they deserve a pay rise!

Also, it doesn't get mentioned a lot but one would argue that Ant-Man features that saddest death in the MCU outside of Guardians of the Galaxy Vol. 2!

Infinity Stone counter = 4

Road to Infinity War - Phase 2 - Iron Man 3

The Avengers had opened to $200 million in its first weekend. It would go on to make over $1.5 billion worldwide.
It would be safe to say that Marvel Studios were feeling pretty pleased with themselves at this point. Yet instead of resting on their laurels and sticking to a tried and tested formula, they very riskily and daringly threw out the rule book with Iron Man 3 and hired Shane Black to write and direct.
Shane Black was best known for being a screenwriter in the Eighties, cranking out the screenplays for such hits as Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight, but it was Kiss Kiss Bang Bang that landed him the job with Marvel.
His hilarious neo-noir directorial debut in 2005 based on his own script was the film that offered Robert Downey Jr a way back into the Hollywood elite and it was his performance in this film that persuaded Feige et all to give him a chance as Tony Stark. One he has seized with both hands and never looked back.
For any fans of Shane Black, it is clear that this has his fingerprints all over it; flashbacks, voiceover narration, whipsmart dialogue and it is set at Christmas!
It felt fresh, daring and dangerous compared to everything that Marvel had produced before. This took Tony Stark out of the Iron Man suit and forced him to show that he could be a hero in his own right.
Of course, the most controversial, and divisive, moment comes at the start of the third act when it is revealed that the villainous terrorist The Mandarin is actually a drunken, out of work British actor called Trevor Slattery, portraying a character created to take the blame for Guy Pearce's experiments gone wrong.
The twist works because The Mandarin is a racist stereotype from the Sixties and it would have been met with controversy if they had gone down that route, and it works because of Ben Kingsley, sorry Sir Ben Kingsley's performance. He is suitably menacing as the face of the Ten Rings and also hilarious as Trevor Slattery.
It sets the bar high for Phase 2 in that anything can happen. Well except the death of Iron Man that is. I mean, you have him making this potentially huge sacrifice play at the end of The Avengers but it lacked the emotional weight due to the fact that Iron Man 3 had already been announced.
Looking back at the Marvel Cinematic Universe now during Phase 2, there is so much happening within a tight time frame that this leads to some odd story choices which impact repeat viewings of some of the films. Iron Man 3 in particular.
At the end of this film, Tony Stark essentially retires as Iron Man, even going so far as to remove the arc reactor from his chest. Yet, a couple of years later, there he is back as Iron Man in Age of Ultron where Whedon seems to have ignored most of what happened to him thematically.
Still, it is difficult to be that negative about a film being narrated by Tony that you discover in the post-credit sting that is actually being told to Bruce Banner who has fallen asleep, because he is not that kind of doctor.

Infinity Stone Counter = 2

Road to Infinity War - Phase 1 - The Avengers

The Avengers was the film that proved dreams really do come true. They came true for Kevin Feige. For Stan Lee. For all Marvel fans.
For all the talk about "Infinity War is the most ambitious crossover film event of all-time", that would not have been possible if The Avengers.
The comic book movie had only really begun to find its feet again in 2008 following the disastrous Batman & Robin nearly destroyed the genre. Sure there was the odd success like X-Men or Spider-Man but 2008 saw both Marvel and D.C. delivering the goods with Iron Man and The Dark Knight.
Doubling down on the success of their individual movies, Marvel Studios now successfully pulled off something that seemed impossible at that stage. A superhero team up where all their heroes appeared in the same film... not only that but it totally worked and a lot of that credit must go to Joss Whedon.
Best known for Buffy The Vampire Slayer, Whedon had only directed one feature film at this point but that film was Serenity. A big screen sequel to his cancelled TV show Firefly, it proved that he could perfectly balance an ensemble cast in a movie. Never losing sight on the story but also giving every character their chance to shine... and also never afraid to kill someone off if it was serving the plot!
It might not be the *best* MCU film in the series now (that title goes to Civil War) but it is probably has the highest number of "geek out", "mark out" moments that had fans cheering in the cinemas.
The first half of the film does get bogged down a little bit by having to reintroduce all the main characters into the story but once they are all aboard the Helicarrier, it is just pure comic book joy.
One of the best scenes, that shows how well Whedon understands and showcases the characters and relationships between them, is when the heroes start to argue with each other after it is revealed that Fury is using the Tesseract to build weapons, which he blames on Thor which sparks Tony and Steve to have a pissing contest, all the while threatening to set off the Hulk (played with wit and intensity by the new Bruce Banner Mark Ruffalo).
Once the film gets to the final battle, Whedon gives the fans exactly what they want with that incredible 360 degree shot of the team finally assembled; the tracking shot of them all in action against the Chitauri and the Hulk/Loki "Puny God" exchange.
It was a game changer for the genre, the first movie to take over $200 million in its opening weekend and showed just what could be achieved by Marvel Studios and the Extended Universe idea. Something that no other studio has successfully managed to replicate.

Infinity Stone Counter = 2 (Space Stone and Mind Stone)

Road to Infinity War - Phase 1 - Captain America: The First Avenger (2011)

From tales of Norse Gods and visiting the Nine Realms in Thor, the Marvel Cinematic Universe then followed that up with... a period action film set in World War II?
Yes, it was time to introduce the face and poster boy for Marvel since 1942... Steve Rogers aka Captain America.
And who did they get to portray the Star Spangled Man with a plan? Well, the Human Torch of course.
At this point, Chris Evans (no, not that one) was most famous for starring in Fantastic Four. 7 years on, it is hard to imagine anyone else carrying the shield... well maybe, Bucky or Falcon (if you read the comics).
Powered by a terrific cast including Tommy Lee Jones, Hugo Weaving, Toby Jones, Stanley Tucci, etc, director Joe Johnston proved the perfect choice for the tale, having previously delivered a perfect slice of retro charm with The Rocketeer. He even manages to throw in a reference to his work on Raiders Of The Lost Ark when the Red Skull gains possession of The Tesseract and quips that "Hitler digs for trinkets in the desert".
The CGI still holds up well in the early scenes with "tiny" Steve before the super serum and Evans does a great job at showing Rogers' pure heart and determination ("I could do this all day").
The origin of "Captain America" gifts the MCU with one of its all-time greatest moments, the Star Spangled Man with a Plan musical number, and its finest leading lady in the form of Peggy Carter.
Hayley Atwell is a match for Steve in terms of wits, guts and style and gets her moments to shine. The only times she comes across as the "love interest" is when she reaches across and touches his chest post-serum and during the Armageddon-Aerosmith style radio message at the end.
Their relationship is what gives the movie its heart and leaves the audience with a heartbreaking denouement before setting us up for The Avengers (somewhat disappointingly with a mini-trailer for the film rather than a standard post-credit sting).

Infinity Stone Counter = 1 (The Space Stone aka The Tesseract)

Road to Infinity War - Phase 1 - Thor (2011)

Again, it seems hard to believe but at the time, Thor presented a huge gamble for Marvel Studios. It introduced Asgard, Norse Gods, Space, Alien races and monsters. It could have gone so horribly wrong. Yet this was the studio that would go on to give us a film starring a talking raccoon and a tree monster!
Thankfully for Marvel, under the guidance of director Kenneth Branagh, Thor was the best movie since Iron Man.
It works because Branagh does not treat it as a Flash Gordon-esque adventure (that would have to wait till Ragnarok) but as a Shakespearean tragedy with the focus on a family feud between a King and two squabbling Princes both with an eye on the throne.
It succeeds thanks to having British heavyweights like Anthony Hopkins spitting out lines like "You are a vain, greedy, cruel boy" and "But you're NOT King. Not yet". Plus it introduced the majority of the world to Tom Hiddleston as Marvel's number one villain you love to hate, Loki.
Chris Hemsworth was also a relative unknown at this point. Really only appearing in the first ten minutes of the Star Trek reboot. But he perfectly captures the fish out of water element of his character as the selfish, boorish warrior who is stripped of his power and forced to learn a lesson on earth... and find love along the way.
Thor continues the development of S.H.I.E.L.D. and Agent Coulson is firmly established as Fury's number two, running the whole show in New Mexico and even ordering around Clint Barton aka Hawkeye (Jeremy Renner).
It remains one of the strongest entries in Phase 1 but contains the single biggest mistake in the history of the MCU. One that was thankfully rectified come The Avengers and that was the decision to dye Hemsworth's eyebrows blonde!

Infinity Stone Counter = 1 (Brief glimpse of the Tesseract aka the Space Stone in the post credit sting)

Road to Infinity War - Phase 1 - Iron Man 2

"I'm not saying that from the ashes of captivity, never has a phoenix metaphor been more personified"
It is difficult if this line was talking about Tony Stark, warmonger turned superhero, or Robert Downey Jr, troubled actor turned A-list superstar.
After the surprise success of Iron Man, the third film in the MCU was to continue the adventures of "Shellhead".
Looking back at it now, it is full of surprises such as the screenplay being written by Justin Theroux. The appearance of later Fox superheroes Kate Mara (Sue Storm) and Olivia Munn (Psylocke) in tiny roles. It is the film that brought together Hollywood couple Sam Rockwell and Leslie Bibb.
It also deals with the casting change of James Rhodes in a similar way to the introduction of George Lazenby as Bond with his "This never happened to the other guy". When Don Cheadle is introduced, there is the wonderful exchange between Stark and Rhodey:
"Didn't expect to see you here." "It's me. I'm here. Deal with it"
Heroes were present and correct. It's a shame that the villains didn't quite match them. Mickey Rourke's Whiplash is wasted after an entertaining action sequence in Monte Carlo. Although not a match for Iron Man physically, there is more fun to be had from Sam Rockwell's rival arms dealer Justin Hammer (love the way he refers to Stark as "Anthony") and Garry Shandling's Senator Stern.
Stern's committee hearing is one example of how Marvel is able to ground their films in reality, with a very real discussion of how Iron Man's actions on foreign soil would affect America and how he is not accountable to the government. This is something that will come round full circle in Age of Ultron and Civil War.
The issue with Iron Man 2 is not the CGI man in flying metal suit battles multiple other flying metal suits but that it was less concerned with being an Iron Man sequel as it needing to be an Avengers prequel.
Whereas the original Iron Man only had a couple of nods to the wider Marvel universe, this film burns through references faster than Tony Stark burns through palladium cores for his arc reactors.
There could have been a fantastic take on the Iron Man "Genie in a bottle" storyline from the comics where Tony descends into alcoholism to cope with the pain that his arc reactor is causing him.
Instead we get multiple references to SHIELD, Nick Fury, Captain America's shield and the introduction of Scarlett Johansson as Natasha Romanoff aka Black Widow.
Jon Favreau's direction keeps things moving at a good pace however and manages to showcase Stark's inventiveness and action credentials. He even manages to give himself a chance to use his UFC skills in a fight... even if he is upstaged by Black Widow!
Overall, it is the weakest of the Iron Man trilogy but does serve as an effective building block in the foundations of the MCU.

Infinity Stone Counter = Big Fat Zero

Road to Infinity War - Phase 1 - The Incredible Hulk (2008)

One forgets that The Incredible Hulk came out a mere 6 weeks after Iron Man. The MCU were either very, VERY keen to build on the success OR that is what happens when you were dealing with multiple distributors on your films (until Disney bought Marvel Studios, Paramount were releasing the Iron Man, Cap and Thor movies while Universal still had Hulk. Actually even to this day which is why you don't see a solo Hulk movie).
Incredible Hulk is viewed by many as bottom tier Marvel. It is not a bad film. It's certainly a hell of a lot better than Ang Lee's 2003 Hulk with the mutant poodles!
It is just not as good or as slick and polished as the rest of their catalogue. Indeed, the MCU was clearly still finding its feet here as evidenced by Thunderbolt Ross's references to the Super Soldier plan not tying in perfectly with Captain America: The First Avenger.
Also, they seemed a little bit unsure of themselves and had the post-credit sting of Tony Stark telling Ross that they were putting a team together before the credits.
To think this is the same studio that gave us the troll-heavy Captain America sting at the end of Spider-Man Homecoming.

The Incredible Hulk always seems slightly out of place in the MCU and is mostly remembered for their handling of Edward Norton who did no publicity for the film after they rejected his 3 hour cut that was more of a Jekyll and Hyde character study in favour of retooling it as a two hour "Hulk Smash" action film.
The effects never really worked as the CGI Hulk never really felt like Norton's Banner. Something that would be fixed when Mark Ruffalo would be cast and did performance capture as the Hulk. Although it was nice to see Lou Ferrigno provide the voice and make a cameo.
It certainly wasn't all bad and there are some really lovely, fun moments such as Banner getting "You wouldn't like me when I'm angry" wrong in Portuguese or stopping himself from getting intimate with Betty Ross because his heart rate is getting too high and fearful he may Hulk out, or Craig Armstrong (delivering one of the strongest MCU scores) using the "sad walking away" music from the TV show.
In terms of references and world building, there is a nod to the Ultimates series of comics where they drop Banner out of a helicopter at an enemy to induce a change. This is also the series that introduced the Samuel L. Jackson version of Nick Fury and so gave comic fans an idea of where the over-arching story might be going.

Infinity Stone Counter: Still zero!

Road to Infinity War - Phase 1 - Iron Man (2008)

Has it really been ten years since it all began? It's hard to believe right Jeremy Piven?

Who would have believed that a movie directed by the guy who was Pete Becker on Friends, about a second tier Marvel hero played by a post-jail & troubles Robert Downey Jr would launch a billion dollar franchise that is still going from strength to strength 18 films down the line?
But the Marvel Cinematic Universe hit the ground running and they are forever indebted to RDJ because his performance as "genius, billionaire, playboy, philanthropist" Tony Stark is note perfect.
The film is fast, loose, full of colour, wit and boundless energy. A world away from DC and Nolan's (excellent) but "Why so serious?" Dark Knight trilogy.
The references to the comics are there for the fans (the original Mark I suit) but never at the expense of an audience entirely new to this world.
It also does a subtle job of universe building. There is Rhodey's look at the Mark II suit and quipping "Next time baby" (sadly not for Terrence Howard though!), and the introduction of SHIELD through Agent Coulson's character who would become pivotal to Phase I.
But it was the post-credit sting with Samuel L. Jackson's Nick Fury turning up at Stark mansion to talk about the Avengers initiative that sent fanboys into meltdown.
It isn't perfect. Jeff Bridges is very "un-Dude" but ultimately won't rank highly on the list of top Marvel villains (although I would dare you to come up with a Top 5 list of truly memorable MCU villains that doesn't have to include Wilson Fisk or Kilgrave and therefore not canon).
One can also see the beginnings of the MCU's biggest criticism. You know, the one where Act 3 descends into two (or twenty) CGI men in metal suits smashing into each other.
However Downey Jr is a charisma fuelled arc reactor that powers this entry to classic comic book movie status and arguably one of the finest and most complete superhero origin stories.

Infinity Stone Counter: 0

Black Panther - review

The road to Avengers: Infinity War marches on with the Marvel Studios' 18th film since the Marvel Cinematic Universe began with Iron Man ten years ago in 2008.
With 18 films under their belts, it could be easy for Marvel to rest on their laurels and produce carbon copies of their greatest hits time and time again. Instead they are taking bigger and bigger risks.
After all, this is the company that gave us a movie starring a talking raccoon and a tree monster and a Flash Gordon-esque Thor sequel from the director of What We Do In The Shadows.
There are only two things they are still to achieve:
1) We still don't have a female-led solo movie yet. We have to wait till 2019 and Captain Marvel for that, and is the only thing that DC can claim they have bettered Marvel at.
2) A MCU origin film that doesn't end with two CGI characters beating the crap out of each other.
While Black Panther might not buck the trend in this department, it represents a huge leap forward in other ways and could be one of the most significant cultural events in Hollywood.
Writer-director Ryan Coogler (Fruitvale Station, Creed) brings Chadwick Boseman's T'Challa back to his home country of Wakanda for his coronation as King and take on the mantle of Black Panther following his father's death in Captain America: Civil War.
To tell this story, Coogler has assembled an incredible cast of veterans, rising stars and two "Tolkien" white guys. It is truly an embarrassment of riches that include Oscar winners Forest Whitaker & Lupita N'Yongo, nominees Angela Bassett & Daniel Kayuula and Emmy winner Sterling K. Brown.

It is impossible to overstate how important this moment in cinema could be. To have so many people of colour in the leading roles in a mainstream movie outside of Madea marks a welcome change and not only that, it passes the Bechdel Test with flying colours. The four leading women are all strong, independent queens, warriors, spies and inventors who are not sidelined in a wasted romantic subplot.

All this looks to deliver a bumper box office weekend as the audience, often underserved by Hollywood, come out in force. It's just a shame that the final product doesn't quite live up to the hype, instead coming in around mid-tier Marvel and plays out like a standard superhero origin tale.
The early signs are promising with the first half playing out like a Bond movie with Boseman as the gentlemen spy supplied with Vibranium powered gadgets by his precocious little sister Shuri who is a teenage Q and played with gleeful delight by Letitia Wright. The action jet sets around the globe from a daring robbery in London to a casino shootout and car chase in Busan with Martin Freeman's Everett Ross as Felix Lighter and Ulysses Klaue as the accented, maniacal super villain. Having spent so many years hidden underneath CGI and a motion capture suit, he is clearly relishing the chance to ham it up in front of the camera, and get time for a Hobbit reunion with Bilbo.

The issues come when the action returns to the CG heavy Wakanda and the real plot and villain in the form of Michael B. Jordan's Eric "Killmonger" come to the fore and the film switches from a spy movie to Marvel's version of The Lion King, with a prince battling to regain the throne from an evil relative following the death of his father.

The central struggle between T'Challa and Killmonger comes from an interesting place in that both want to advance the fortunes of Wakanda albeit from different perspectives and methods. One wants the country to do more through outreach and development while the other wants to provide arms to have communities rise up against their oppressors. This is Boseman's stoic MLK vs Jordan's charasmatic Malcolm X.

At the heart of it is a fascinating struggle but the power is somewhat lost as it descends into a standard Marvel third act which includes a mass CG brawl involving war rhinos, a one-on-one fight that could have been cut straight out of Tron Legacy and story beats right of the original Iron Man playbook.

It might follow the superhero formula but this is a standalone film with very few references to the wider MCU so the casual filmgoer can enjoy it for what it is without worrying too much about how it sets things up for Infinity War.

This is a superhero film straight outta Wakanda but this reviewer has a feline that Black Panther will, like the lion, find it's roar in the future.

3 stars