Showing posts with label Black Panther. Show all posts
Showing posts with label Black Panther. Show all posts

Thursday, 26 April 2018

Avengers: Infinity War - review


Let’s make one thing perfectly clear right off the bat. Avengers Infinity War is not just a movie. This is an event. This is the season finale of a ten year, nineteen episode comic book series that was merely the twinkle in Kevin Feige’s eye back in 2008.
Disregard what the internet memes say. This *IS* the most ambitious film event of all-time. Nothing else even comes close.
Expectations are higher than they were for another fandom 19 years ago for The Phantom Menace. But can they possibly be met? 
Will it work as a film in its own right and will it work as the culmination of everything that has come before it.
The answer, Marvel fans will be happy to here... is YES.
As for the “story so far”, or “previously on Avengers Infinity War”, it would take Luis from Ant-Man’s motor mouth to take the audience on a abridged history of the MCU in five minutes to get everyone up to speed so let’s just get down to brass tacks.
Thanos, the big purple dude who has been sitting on his giant space toilet (Empire magazine’s words, not mine) since The Avengers has finally decided to claim the six Infinity Stones required to complete his Infinity Gauntlet (3 years after first claiming he would “do it myself” back at the end of Age Of Ultron). This puts him on a collision course with the Asgardians (The Tesseract), the Guardians of the Galaxy (who know where the Power and Reality stones are) and Earth’s mightiest heroes with whom the Mind and Time stones currently reside.
Straight away, from the first scene and his introduction, it is clear that this is Thanos's movie. Immediately establishing as a credible threat and the toughest challenge the Avengers have ever faced. Trust me, there will no longer be jokes about him sitting on his space toilet after this. He is built like a brick space sh*t house and knows how to throw a punch and he certainly has the stones (if you'll pardon the pun) to lay the preverbial smackdown on our beloved heroes.
Josh Brolin, pulling double comic book duty this Summer, proves the perfect choice for the Titan-ic villain. Enhanced by some stunning CGI work, he is simulataneously physically imposing, viciously cruel but also singular in his vision. As all zealots, he believes that his course of action is the correct one, no matter the cost to himself, his family or the universe.
The movie's central narrative thrust follows Thanos on his quest and it turns out to be the correct move on the part of the Russo brothers and writers Christopher Markus and Stephen McFeely. By making Thanos the main protagonist of the story, it allows the filmmakers to delicately keep all the different plates spinning around him. And boy are there a lot of plates. There are 14 main characters who have had their name in the title of a movie, along with dozens more who make up various iterations of the Avenger rosters.
The Russo's split their cast into teams, each with a plot thread relating to a different Infinity Stone, providing some unexpected pairings that the audience wouldn't have realised they needed until now.
Following the events of Civil War, Steve Rogers (no longer Captain America) has stuck close to fellow fugitives Black Widow and Falcon who take a jaunt to Edinburgh, Scotland to rescue Scarlet Witch and Vision, who has a literal target on his forehead.
Thor, who has shown in Ragnarok that he can mine chemistry and comedy out of any pairing, teams up with Rocket Raccoon and Groot while the rest of the Guardians travel to Knowhere as Gamora's relationship to her "father" comes to the fore.
Finally back on Earth, Doctor Strange and Tony Stark battle for the position of Alpha Male with a goatee, and constantly chastise Peter Parker for his "really old" pop culture references.
Despite the over abundance of characters, every single one gets a moment to shine either with a quip or action beat. Although given the runtime, it leaves you wanting more from them all and some plot threads are left dangling, and maybe will still exist in the form of deleted scenes on the DVD i.e. Natasha and Bruce's relationship now he's returned.
The narrative switches back and forth between the groups organically so that the audience are always aware of who is where and how Thanos's plan is advancing before the various roads to Infinity War converge on Titan (Thanos's home planet) and Wakanda for the final showdown(s).
The trailers have thankfully given away very little of the main action sequences and they definitely deliver on an epic scale unlike anything seen in the Marvel Cinematic Universe before.
It is a cliche in superhero movies that no one ever really dies or stays dead but right from the off, the Russo's put all their chips on the table and tell the audience that all bets are off in terms of who is walking (or flying) out alive of this battle. There is a palpable level of fear and danger every time a hero goes one-on-one with Brolin's Titan, who towers over them in the same way Dwayne The Rock Johnson towers over Kevin Hart.
No more plot details will be discussed because despite all the theorising and speculating, it goes places you simply could not have predicted and thus is best enjoyed spoiler-free.
Avengers Infinity War is the event movie to end all event movies and where possible should be seen with an audience of hardcore fans. The ones at the midnight screening were invested in every single second. Resulting in bouts of laughter, squeals of joy, shocked gasps, shedded tears and moments of pure, stunned silence... and in Scotland, cheers for a sign in a window that read "We will deep fry your kebab"!
Just like someone holding a complete Infinity Gauntlet, the Marvel Cinematic Universe is virtually unstoppable at this point and Avengers Infinity War is their finest hour so far... but one expects as a time stone would tell, the best is yet to come.

5 stars

Wednesday, 25 April 2018

The Marvel Cinematic Universe - RANKED!

With the Road to Infinity War complete, the time has come to rank the eighteen films that currently make up the Marvel Cinematic Universe... only for that ranking to change tomorrow with the release of Avengers Infinity War!

So in reverse order, here we go...



18. Thor The Dark World
Would have bottom for the Greenwich tube stop gaff alone but it is also the dullest and most dour entry in the MCU with the saga's most non-descript villain of all-time in Malekith.
Full review here.


Whilst it is an improvement on Ang Lee's 2003 Hulk, this film always seems out of place with the rest of the MCU & feels like the weird family member nobody talks about anymore.
Full review here.


16.  Iron Man 2
Suffered from being a movie setting up the Avengers and wider MCU than a true Iron Man sequel. Bonus points for Sam Rockwell.
Full review here.


15. Thor
Kenneth Branagh turned a potential Flash Gordon misfire into a thundering Shakespearean family drama boosted by the performances of Hopkins and Hiddleston. Loses points for dyeing Hemsworth's eyebrows.
Full review here.


14. Captain America: The First Avenger
Any film with The Star Spangled Man With A Plan musical number should really chart higher but Steve Rogers became a much more interesting character once he came out of the ice!
Full review here.


13. Doctor Strange
Benedict Cumberbatch goes full Hugh Laurie doing House M.D. in a straightforward but visually stunning origin story for the Sorcerer Supreme. Nice twist on solving Marvel's third act problem.
Full review here.


12. Black Panther
The biggest movie in the world at the moment until Infinity War comes out at least is a huge leap forward for Hollywood. Part Black Bond film, part Lion King. This film starts with a roar but loses its teeth during the CG heavy finale.
Full review here.


11. Ant-Man
Rudd-y hilarious and the perfect palette cleansing sorbet between the all-you-can-eat Avengers Age of Ultron buffet and the indulgent dessert of Civil War.
Full review here.


10.  Guardians Of The Galaxy
The moment that we realised Marvel Studios could do anything they wanted and succeed. A space adventure soundtracked to the Seventies featuring Andy Dwyer from Parks & Rec and a talking raccoon? More please!
Full review here.


9.  Iron Man 3
Shane Black stripped away the suit, leaving Tony Stark to rely on his skill and wit (ably assisted by Black's razor sharp dialogue) in the first film of Phase 2 that showed Marvel were willing to push the boat out and not rely on a tried and tested formula.
Full review here.


A better film than many give it credit for, it improves on a rewatch now seeing how it fits in to the wider MCU universe following Phase 3.
Full review here.


The version of Spidey we didn't know we wanted or needed until Civil War, Tom Holland is perfect in his first solo movie as part of the MCU.
Full review here.


6. Guardians Of The Galaxy Vol. 2
Better than the original and focused on building character than action, resulting in the most emotional instalment of the Marvel Cinematic Universe. Challenge anyone not to well up at "He may of been your father boy, but he wasn't your daddy"
Full review here.


5. Iron Man
The film that started it all and still one of the highlights of the MCU. Not only did it offer redemption to Tony Stark, it gave it to Robert Downey Jr. as well.
Full review here.


Taika Waititi reinvents Thor as the Lord of Thunder with lightning fast comic timing, bringing the Ragnarok n roll to the franchise.
Full review here.


At the time it seemed impossible but Joss Whedon delivered a movie that perfectly balanced an ensemble cast of Earth's mightiest heroes, caused a billion geekgasms and showed that anything was possible in the MCU.
Full review here.


2. Captain America: The Winter Soldier
The first film to feel like a legitimately great film that broke free of the comic book genre. Also contained the MCU's best action scenes until the next film...
Full review here.


1. Captain America: Civil War
Liable to have nabbed the top spot for the airport sequence alone but this adaptation of Civil War perfectly fits into the MCU and provided an incredible story that came from the characters and not the action.
Full review here.

Road to Infinity War - Phase 3 - Black Panther (2018)


First thing's first. No Soul Stone here in Wakanda. Just a ton of Vibranium waiting to be turned into a shield or thousands of murder bots. All the Marvel fans were wrong. It isn't there. The teaser for Infinity War showing the massive battle in Wakanda wrong footed us all. It's not the Soul Stone they are protecting but Vision and his Mind Stone.
So where is the Soul Stone? Who cares, for now it is time to discuss the highest grossing superhero film in US history, Black Panther.
For a film that comes directly before Avengers Infinity War, it is surprisingly self-contained and features very few references to the wider Marvel Cinematic Universe beyond the return of the two "Tolkein" white guys Everett Ross and Ulysses Klaue (Martin Freeman and Andy Serkis).
I was slightly indifferent to the film first time round, and you can read that full review here.
Rewatching on the Road to Infinity War, it has improved in some areas but there remain some rather large flaws. Particularly in the final act.
The first half of the film remains very strong as it plays out like a Bond movie with T'Challa as Bond, sister Shuri as Q, with Okoye and Nakia as anything but Bond girls. The entire Busan sequence is the standout highlight of the movie.
Once the action returns to Wakanda and Killmonger has made his play for the throne, that's where things get a little bit... The Lion King.
Think about it. A son mourning the death of his father is usurped to the throne by a treacherous, vindictive relative who believes they should be King. Following a period of self-discovery that involves speaking with his dead dad, returns to fight and claim the throne that is rightfully his. Accompanied by M'Bakku and Ross aka Timon and Pumba.
Joking aside, the final battle is where the film lets itself down. The CGI is not as sharp as other MCU films and the face off between T'Challa and Erik in their Panther suits on a rail track looks like a deleted scene out of Tron Legacy.
There is also the bizarre moment that a war rhino stops charging when Okoye steps in front of it. This plot point was not mentioned previously but it also is exactly the same as a moment involving Elton John of all people in Kingsman 2.
It is a shame that it doesn't nail the landing because the relationship between the once and future kings is fascinating and has parallels to Martin Luther King and Malcolm X (and also Professor X and Magneto). They both ultimately have the same goal but want to achieve it in very different ways.
Still, the performances are fantastic and while Jordan's charisma and swagger threatens to overshadow Boseman, there is purpose to it in uniting some of the Wakandan tribes to his cause, and leads to his powerful speech about how death is better than bondage.
While certainly not a perfect film, the foundations for the Black Panther franchise and place within the MCU are as strong as vibranium.

Infinity Stone counter = 5

Friday, 20 April 2018

Road to Infinity War - Phase 3 - Captain America: Civil War (2016)


Phase 3 kicked off in style with the stealth Avengers film Captain America: Civil War aka Avengers 2.5.
Admittedly there were a few worries going into the film that this was simply going to be an Avengers ensemble film rather than a Captain America film. The Russo brothers however managed to find a way to distil the story about the breakdown of the Avengers to actually further Steve Rogers' story by making the Jenga piece that threatens to topple the whole be James Sebastian Barnes aka The Winter Soldier.
Inspired by Mark Millar's game-changing comic series that crossed over many of Marvel's titles at the time, heavily influencing future storylines, it focused on the issue of a Superhero registration act that would force heroes to reveal their secret identities and become government employees.
As this was not an issue in the MCU due to the fact that most of the heroes were not hiding their identities, the storyline had to be adapted to fit in with the movie universe.
Following the events of Age of Ultron, the Avengers find themselves subjected to legislation called the Sokovia Accords. This would make them answerable to the United Nations, something that Tony agrees with but Steve refuses to sign. The battle lines are drawn between the Avengers as everyone has a different opinion on whether or not it is a good thing. Something which in particular affects Scarlet Witch and Vision's relationship which sets things up nicely for further exploration in Infinity War.
Just as the Accords are due to be passed, Bucky Barnes bombs the UN causing the death of Wakanda's King T'Chakka. This introduces audiences to the character of Black Panther in the form of his son Prince T'Challa (Chadwick Boseman). He desires revenge and goes after Barnes but Rogers sets out to protect his friend, unwilling to believe he was behind the bombing.
Upon his capture, which sees the reintroduction of Steve Rogers' beard... no, not the one in Infinity War, Sharon Carter of course, the Winter Soldier is released by a man called Zemo (Bruhl) using a HYDRA mind control technique.
In order to solve the mystery and bring his friend back, Captain America cuts ties with the Avengers, putting him on a collision course with Stark. Something that will cause all the heroes to pick a side and lead to the MCU's most iconic and fantastic scene: the Superhero Smackdown.
This was the scene that Marvel fans had dreamed of ever since Nick Fury turned up at the end of Iron Man. The chance to find out the answers to the geeky questions like "who would win in a fight? Falcon or War Machine? Ant-Man or Spider-Man?
Yes, just one of the reasons that Civil War is so good is that it is the film that brought Spider-Man into the MCU and boy does he make a great first impression. Tom Holland is perfect as the young teenage Peter Parker and he gets some wonderful moments, particularly with Cap, Falcon and Bucky.
Every character gets their moment to shine but it is Paul Rudd's Ant-Man who steals the show here with his transformation into Giant Man. When Ant-Man was first released I thought that he would transform when returning from the Quantum Realm and burst through the house but they wisely saved it for this and it was completely worth it.
It isn't just the fight at the airport but every action sequence that cemented the Russo brothers as the kings of the Marvel castle. Even going so far as to take a page out of the Marvel TV series playbook and include a fight in a corridor and stairwell.
Ultimately, the film comes down to Cap vs Iron Man as the scheme that Zemo has been plotting turns out to be a more twisted revenge tale than Oldboy as it is revealed that Barnes was the one responsible for killing Stark's parents. This results in the most emotional fight so far (even more so than Thor vs Loki) and one that puts the final nail in the coffin of the Avengers as Steve chooses Bucky over Tony "I'm sorry, Tony but he's my friend", "So was I".
Will we see the old team back together in Infinity War, only time will tell.

Fun fact: Hawkeye calls Tony "The Futurist" which is the name of the album that Robert Downey Jr released in 2004.

Infinity Stone counter = 4

Saturday, 17 February 2018

Black Panther - review



The road to Avengers: Infinity War marches on with the Marvel Studios' 18th film since the Marvel Cinematic Universe began with Iron Man ten years ago in 2008.
With 18 films under their belts, it could be easy for Marvel to rest on their laurels and produce carbon copies of their greatest hits time and time again. Instead they are taking bigger and bigger risks.
After all, this is the company that gave us a movie starring a talking raccoon and a tree monster and a Flash Gordon-esque Thor sequel from the director of What We Do In The Shadows.
There are only two things they are still to achieve:
1) We still don't have a female-led solo movie yet. We have to wait till 2019 and Captain Marvel for that, and is the only thing that DC can claim they have bettered Marvel at.
2) A MCU origin film that doesn't end with two CGI characters beating the crap out of each other.
While Black Panther might not buck the trend in this department, it represents a huge leap forward in other ways and could be one of the most significant cultural events in Hollywood.
Writer-director Ryan Coogler (Fruitvale Station, Creed) brings Chadwick Boseman's T'Challa back to his home country of Wakanda for his coronation as King and take on the mantle of Black Panther following his father's death in Captain America: Civil War.
To tell this story, Coogler has assembled an incredible cast of veterans, rising stars and two "Tolkien" white guys. It is truly an embarrassment of riches that include Oscar winners Forest Whitaker & Lupita N'Yongo, nominees Angela Bassett & Daniel Kayuula and Emmy winner Sterling K. Brown.
It is impossible to overstate how important this moment in cinema could be. To have so many people of colour in the leading roles in a mainstream movie outside of Madea marks a welcome change and not only that, it passes the Bechdel Test with flying colours. The four leading women are all strong, independent queens, warriors, spies and inventors who are not sidelined in a wasted romantic subplot.
All this looks to deliver a bumper box office weekend as the audience, often underserved by Hollywood, come out in force. It's just a shame that the final product doesn't quite live up to the hype, instead coming in around mid-tier Marvel and plays out like a standard superhero origin tale.
The early signs are promising with the first half playing out like a Bond movie with Boseman as the gentlemen spy supplied with Vibranium powered gadgets by his precocious little sister Shuri who is a teenage Q and played with gleeful delight by Letitia Wright. The action jet sets around the globe from a daring robbery in London to a casino shootout and car chase in Busan with Martin Freeman's Everett Ross as Felix Lighter and Ulysses Klaue as the accented, maniacal super villain. Having spent so many years hidden underneath CGI and a motion capture suit, he is clearly relishing the chance to ham it up in front of the camera, and get time for a Hobbit reunion with Bilbo.
The issues come when the action returns to the CG heavy Wakanda and the real plot and villain in the form of Michael B. Jordan's Eric "Killmonger" come to the fore and the film switches from a spy movie to Marvel's version of The Lion King, with a prince battling to regain the throne from an evil relative following the death of his father.
The central struggle between T'Challa and Killmonger comes from an interesting place in that both want to advance the fortunes of Wakanda albeit from different perspectives and methods. One wants the country to do more through outreach and development while the other wants to provide arms to have communities rise up against their oppressors. This is Boseman's stoic MLK vs Jordan's charasmatic Malcolm X.
At the heart of it is a fascinating struggle but the power is somewhat lost as it descends into a standard Marvel third act which includes a mass CG brawl involving war rhinos, a one-on-one fight that could have been cut straight out of Tron Legacy and story beats right of the original Iron Man playbook.
It might follow the superhero formula but this is a standalone film with very few references to the wider MCU so the casual filmgoer can enjoy it for what it is without worrying too much about how it sets things up for Infinity War.
This is a superhero film straight outta Wakanda but this reviewer has a feline that Black Panther will, like the lion, find it's roar in the future.

3 stars

Sunday, 4 February 2018

Superbowl Sunday - Trailer Touchdown

Superbowl Sunday is one of the biggest dates in the sports and entertainment calendar.

Not only is it the biggest sporting event in the US, featuring an epic musical performance during the halftime show but it is the one day of the year that movie fans without an interest in sports will watch a game of American Football.

It's not because they want to see if it bears any resemblance to Al Pacino's wonderful Inch by Inch speech in Any Given Sunday...


No, the film fans are here for the trailers. Superbowl Sunday advertising premiums are the priciest in the world but with a worldwide audience of 111.3 million last year, film distributors spend a lot of money, time and effort trying to ensure that their movie trailer is the one that people are talking about the next day.

In 2017 for example, audiences were treated to teasers for Logan, Ghost In The Shell, Life, John Wick Chapter 2. However most people agreed it was the trailer for Guardians Of The Galaxy Vol 2., using Fleetwood Mac's The Chain that triumphed into the end zone that year.

So what can we expect from Superbowl LII when the Philadelphia Eagles take on the New England Patriots in a game of football that somehow manages to make 60 minutes last for 4 hours?

Black Panther
With less than two weeks to its release, expect one final action packed clip designed to raise anticipation to fever pitch.

Solo: A Star Wars Story
A trailer is expected to drop on Good Morning America but many feel that we will see the very first footage of the troubled production that saw Lord & Miller replaced by Ron Howard during the big game. This is the one that everyone will have an opinion on one way or the other.

Avengers: Infinity War
Marvel might focus all their attention on Black Panther but there is a slim chance that they could release a version of the trailer that was only glimpsed at Comic-Con.

Jurassic World: Fallen Kingdom
Life, uh, will find a way to screen some new footage from the sequel to the billion dollar Jurassic World.

Mission Impossible: Fallout
This has another trailer that has been confirmed to screen during the Superbowl by Tom Cruise on Twitter so expect footage from the sixth installment, that may or may not include the shot of Cruise breaking his leg and Henry Cavill's moustache that sunk the Justice League movie.

God Particle (Cloverfield)
Nothing is know about the new film from the Cloverfield universe and with a release date of April, it is the perfect time to drop a strange, mysterious trailer on an unsuspecting audience.

Skyscraper
The Rock will fight a building in the promo for the summer's new disaster movie.

Deadpool 2
There is no scenario where Deadpool and/or Ryan Reynolds do not make an appearance with a tongue-in-cheek meta take on sporting's biggest event.

Saturday, 13 January 2018

My Most Anticipated 18 of 2018

With the Golden Globes now behind us, the BAFTA nominations just announced and the Oscars heading our way, it is safe to say that we are firmly in the grip of Awards season in the cinematic calendar.
But what about when the dust settles and the last award is handed out... *whispers* to Three Billboards Outside Ebbing, Missouri. What then? What do we all have to look forward to in 2018 at the cinema? Or indeed at home with original content on Netflix et all?
I have looked through the 2018 film slate on Launching Films UK, a great website for anyone looking for confirmed release dates for films getting a cinema release in the UK, and kept tabs on Netflix Originals and have come up with 18 films to tantalise your cinematic tastebuds this year.
(The only stipulation is that they cannot have been nominated for a Golden Globe, BAFTA or Oscar as the majority of them are released in January or early February. Hence why Three Billboards and The Shape Of Water are not on the list).
NB: The list is in chronological order of UK release date.

Black Panther (13/2/18) 


The MCU is always taking risks. Remember the time when they had a space adventure headlined by a talking raccoon and tree monster soundtracked to the hits of the seventies? Marvel Studios have now done Action, Sci-Fi, Fantasy, Political Thriller, Heist Movie and Comedy. True, they still haven’t done a female led movie but now it is Blaxploitation time with Black Panther.
When the first trailer hit, you could split the audience demographic into two groups: the ones who saw a LOTR reunion of Bilbo and Gollum (aka white people) and everyone else!
The risk has paid off with Panther selling more advance tickets than Civil War. 2018 is the year of #BlackMoviesMatter.

Annihilation (23/2/18)


There is still some confusion over the UK release of Annihilation as to whether it will be on Netflix or a cinematic release through Paramount but Alex Garland’s follow up to his Oscar-winning Ex_Machina looks like it should be experienced on the big screen if possible.
Assembling an all-star cast with Oscar Isaac, Jennifer Jason Leigh, Tessa Thompson and Natalie
Portman as the biologist who signs up for a exploration mission to discover what happened to her
husband. Anyone who has ever watched a sci-fi film with this premise will know that when it comes to
describing how the mission goes, the likely answer is: not well. Not well for the characters but great for
the audience.

Mute (23/2/18)


This film was actually on my most anticipated list of 2017 but it finally looks as if though Netflix are ready to screen Duncan Jones’s spiritual sequel to Moon and loving ode to films like Blade Runner and
Casablanca to the masses.
Duncan recently announced on Twitter that after 14 years of trying to get it made, audiences will finally get to see his vision realised on the big screen (well I say "big", it really depends on the size of your TV screen to be honest) on the 23rd February.

The Meg (2/3/18)


Definitely the most ridiculous film on this list, The Meg’s inclusion here can be summed up in five words: The Stath versus Giant Shark! Cue Futurama Shut Up And Take My Money meme!



Thoroughbreds (9/3/18)


Anya Taylor-Joy is a star on the rise and this film has a great Millenial Heathers vibe to it with the added bonus of the opportunity to see Anton Yelchin’s last on-screen performance following his tragic death in 2016.


You Were Never Really Here (9/3/18)



Joaquin Phoenix as a New York-set action hero in the vein of Taken and John Wick but directed by Lynne Ramsay and scored by Radiohead’s Jonny Greenwood? Say no more.


Isle Of Dogs (30/3/18)


A new Wes Anderson film is always reason for excitement but when it is another stop motion animation in the vein of the wonderful adaptation of The Fantastic Mr. Fox and it’s announced that it will open the Glasgow Film Festival on 21st February, excitement levels reach a huge Ca-Nine out of Ten.


Journeyman (30/3/18)


When it comes to this sports drama, it certainly won’t be the British Rocky but more akin to the Southpaw or Warrior in terms of the effect that the sport can have on a family.
Paddy Considine directs and stars in this film which has apparently had critics weeping in the aisles during the credits and it is no real surprise given the talent shown with his equally hard-hitting directorial debut Tyrannosaur.


Ready Player One (30/3/18)


As a child of the Eighties, the novel Ready Player One was tailor-made to appeal to me and I loved the story which was the “Holy Grail of Pop Culture references” so I’m interested in seeing how it translates to the big screen. It has the most iconic film director of the Eighties at the helm in the form of Steven Spielberg but given he has taken out all the references to his own films (and there were many) it is likely to differ quite heavily from the source material and that could be a ultimately be a good thing when it comes to making a VR quest more cinematic.


A Quiet Place (6/4/18) 


A Quiet Place is a film, ironically enough, that I had heard nothing about until a trailer dropped at the end of last year. A wonderfully atmospheric teaser of a family living in a cabin in the woods and forced to live in silence for fear of an unseen terror. It is a fantastic concept along the lines of 2016’s Don’t Breathe but the real draw of this is the pairing of real-life husband and wife team of John Krasinski and Emily Blunt. Plus the added shock at the end of the trailer to find it has been written and directed by Krasinski himself.
As Leonardo DiCaprio in Django Unchained would say “You had my curiosity. Now you have my attention!”


Ghost Stories (20/4/18)

A great horror movie experienced in a cinema with a receptive crowd that responds to the will of the filmmaker and jump, scream and shout as intended is a marvellous thing to be a part of.
So if the film adaptation of Ghost Stories plays anywhere as near as well as it does on stage, then this could be THE breakout British horror film of the year.
Expecting that certain elements of the storytelling will change for the medium of cinema but very, very excited to see this play at the Glasgow Film Festival in February.


Avengers: Infinity War (27/4/18) 


In a year with no shortage of superhero films (The New Mutants, Deadpool 2, X-Men: Dark Phoenix, Ant-Man & The Wasp and Aquaman), the daddy of them all is Infinity War.
This is the film that the MCU has been building too ever since Nick Fury told Tony Stark about the Avengers Initiative back in the post-credit sting of Iron Man in 2008.
Also excited to see the Scarlet Witch/Vision storyline set in Edinburgh on the big screen having visited the city during filming and witnessed some of the action being shot on the Royal Mile and Waverley Railway Station.


Jurassic World: Fallen Kingdom (8/6/18)


Yes, the first trailer which features the team returning to the island to round up the dinosaurs to take them back to the mainland makes it seem very similar to The Lost World but the director has made assurances that everything in the trailer takes place in the first 50 minutes and it will go to places you won’t expect.
I for one really enjoyed Jurassic World and the real excitement for the film for me, is the director J.A. Bayona who has made the incredible The Orphanage and The Impossible. I will be running in high heels to the cinema to see this one.

Ocean's 8 (22/6/18) 


This is going to be one of the most interesting film releases of 2018 without a doubt. With the current movement in Hollywood towards equality for women in terms of opportunity and pay, there will be a lot of focus on how this all-female sequel/reboot of Ocean’s Eleven will do at the box office.
For there is the spectre of the female Ghostbusters reboot hanging over the film (however I don’t think the male fanbase for Ocean’s Eleven is as vocal or as nasty and mysogynistic). On the flip side, Sandra Bullock is a proven box office draw and despite what Hollywood claims about what audiences want to watch, the Top 3 films at the US Box Office in 2017 had female leads (Star Wars, Beauty & The Beast and Wonder Woman).


Sicario 2: Soldado (29/6/18)


The original Sicario is a film that stands alone as a five star classic (I will continue to say that Denis Villeuneuve, from Prisoners to Blade Runner 2049, has never delivered anything less than a 5 star classic. With streak of 5 films and counting that no other director can currently match).
At the end of the film, I don’t think anyone came out of it saying “I need the sequel now”.
The real drugs war in America however is still continuing and may never be truly over and so the studio have decided to continue the Sicario universe. Emily Blunt was the main character and entry into this world in the original but the sequel focuses on the supporting characters of Josh Brolin’s CIA agent and Benicio Del Toro’s Oscar nominated assassin and with Taylor Sheridan (Hell And High Water, Wind River) returning to script detail, anticipation is as high as the people on the drugs they are trying to eliminate.

The Predator (3/8/18) 


I am going to come out and say it. There has not been a good Alien or Predator film since 1992. In fact, there has not been a great Predator film since 1987. Even more specifically, the only great Predator film starred Shane Black. And the fact that Shane Black has written and directed The Predator does give me hope for this sequel because I absolutely loved Kiss Kiss Bang Bang and The Nice Guys. If he can generate the same level of camaraderie and dialogue from his films and put that into the Predator universe along with some terrific action sequences, we might have reason to shout “RUN, GO. GET TO THE CINEMA!”

Halloween (19/10/18)


I didn’t expect to have a reboot/remake on this list, especially a remake of one of the most greatest and most influential horror films of all time but this one has me rather intrigued.
When David Gordon Green and Danny McBride (the people behind Your Highness) announced they were making a sequel/reboot of Halloween was announced, there was much eye-rolling and snobbery on Twitter.
However when it was announced that this would be a sequel to Halloween II and would forget the other films, eyebrows were raised. Then they announced Jamie Lee Curtis was returning as Laurie Strode and John Carpenter himself would score the film, this suddenly peaked my interest and am genuinely looking forward to seeing what they come up with.


Holmes & Watson (9/11/18)


Full disclaimer: I am a HUGE fan of Step Brothers, so any opportunity to see Will Ferrell and John C. Reilly play off each other on screen is an immediate date in my diary, even if the world isn't screaming out for another adaptation of Sherlock Holmes. But add in support from Ralph Fiennes and Hugh Laurie (who can both do comedy), then this could be one of the surprises of 2018… or it could be another Anchorman 2. The game is afoot!