Showing posts with label Stop Motion. Show all posts
Showing posts with label Stop Motion. Show all posts

Thursday, 22 February 2018

Isle Of Dogs (Glasgow Film Festival) - review



Wes Anderson makes a triumphant return to the Glasgow Film Festival (The Grand Budapest Hotel launched the 2014 festival) and the world of stop motion animation following 2009’s Fantastic Mr Fox, with Isle of Dogs.
Set in Megasaki City, Japan, it follows the story of a young boy Atari who travels to Trash Island to save his dog Spots who has been exiled there along with all canines following an outbreak of Dog Flu by the villainous Mayor Kobayashi, whose family has been holding a grudge against the animals ever since an amusing prologue sequence where their cat-loving ancestor was defeated in battle against the dogs.
Crash landing on the island after stealing a plane, Atari is met by a pack of dogs who will help him on his quest to be reunited with his pet. Even if one of them is resistant to the idea of helping a human, a stray called Chief (voiced by Anderson-newcomer Bryan Cranston).
With that synopsis, so far, so Pixar but that is where the comparisons end… with the exception that Trash Island, built up of cubes of rubbish, looks like it was constructed by Wall-E.
Just like his adaptation of Dahl’s Fantastic Mr Fox, Anderson manages to fill every frame, character and line of dialogue with his unique style and sense of whimsy, quirkiness and humour.
This is clear from the outset when the audience is told that the human characters will speak in their native tongue (Japanese with the odd piece of translation by an interpreter) but all the dogs barks have been changed to English.
This trick puts the audience firmly on the side of the dogs, who are the victims of “fake news” and propaganda from a government who is using the dog flu outbreak to push through their own personal agenda to rid the country of canines before the flu crosses over to the human population. Even to the point of covering up a cure for the disease.
This cover up brings in the second part of the story, which features a group of students investigating the corruption and leading protests against the government, which handily features a foreign exchange student from America (Greta Gerwig, whose tones prove a Great Earwig) to provide a recognisable voice in the fight.
Indeed, the story is much more grown up than Fox and it will be interesting to see what the audience will be for this film as it feels like a more adult tale told within the animation medium.
So in that respects, Anderson has chosen wisely by setting the story in Japan because Studio Ghibli has spent the last few decades making films for families that have very difficult subject matter e.g. My Neighbour Totoro is about loss of a family member, Grave Of The Fireflies is set during the Hiroshima bombing.
However the central crux of the role of man’s best friend in society, the importance of looking after them and rewarding their loyalty is matched with boundless charm and levity by the voice work of a stellar cast of Anderson regulars including Bill Murray, Tilda Swinton and Jeff Goldblum who is hilarious as a gossip-hungry dog whose catchphrase becomes “Did you hear the rumour about…”
Yet it is Bryan Cranston’s scrappy stray Chief who is the Best In Show, going on an arc that is as epic as Noah’s, and all of it is believable thanks to Cranston’s vocal performance.
Also, as strange as it may sound, Isle of Dogs provides what could be 2018’s most flirtatious and sexiest scene of the year… between two stop motion animation dogs as Chief is introduced to show dog Nutmeg voiced by Scarlett Johannson.
But that is just a credit to the outstanding work of the animators and puppet designers who handcrafted each animal to a level of believability that the audience forget they are watching an animation.
The detail on each individual dog is astounding and helps in providing each with its own sense of character and identity.
You know that a filmmaker has achieved the desired effect when an entire auditorium collectively “Awwwws” at the sight of five newborn puppies on screen. Yes, hundreds of people audibly reacting to a puppy made out of plasticine and fur.
The design of the characters and settings provides a Kurosawa feel to the movie, enhanced by Alexandre Desplat’s wonderful score that makes great use of Taiko drumming.
Deftly walking the tightrope of Eastern and Western influences, Anderson has bred a film of the highest pedigree that must already be the favourite to win the Best Animated Film at next year’s Oscars.



Just like the play on words in the title, even the most ardent cat person will come out of Isle Of Dogs boldly exclaiming “I love dogs!”. You would be barking mad to miss it!

5 stars



Sunday, 28 January 2018

Early Man - review


One minute into Nick Park's new Aardman animation Early Man, a meteor hits the Earth killing off the dinosaurs yet leaving cavemen alive and miraculously unharmed with a football shaped meteorite to covet and play games with.
Not only does that meteor wipe out two dinosaurs (revealed in the end credits to be called Ray and Harry, in one of the film's few deft touches) but any chances of a fish-out-of-water storyline where a Stone Age Caveman must struggle to interact with the dawning of a new Bronze Age are also gone in sixty seconds.
For Early Man is actually nothing more than a prehistoric tribute to the Beautiful Game. It's no coincidence that the film lasts 90 minutes, the same length as a match.
Even if the takeaway from the first couple of minutes could be that the only people interested in football are neanderthals, it is clear that Park has an affection for football. One can even deduce his favourite team is probably Arsenal given that the characters who is the most proficient at the sport is called Goona.
There was certainly huge potential here. The primitive Stone Age vs the wealth of the Bronze Age in a match for the valley? It's an underdog story as strong as Leicester City's in the Premiership.
An early scene in the Bronze Age market with shops like Flint Eastwood and food stalls like Jurassic Pork showcased gags are sharp as flint and potential for jokes about the early men adapting to this new age but they are shown the red card in a game of two halves in favour of tropes such as training montages and bad sports puns as tired and old as the savages playing the game.
Talented voices like Tom Hiddleston (doing his best French Knight from Monty Python and the Holy Grail) give it their best shot but they are in a league of their own and let down by a script that is second division at best.
Aardman had a open goal in front of them. Instead Early Man is sent for an early bath!

1 star

Thursday, 18 September 2014

The Boxtrolls - review

Coming off of a summer that had The Daily Telegraph's Robbie Collin asking "Has there been a worse year for kids films?", surely The Boxtrolls will go some way to redress the balance.

The latest film from Laika, the people behind Coraline and Paranorman, and has the same look, feel, charm and wit of its predecessors.

Starting with a cold open and a snatched child, we are launched into the world of Cheesebridge. Only the child has not been snatched by Snatcher (voiced with relish by SIR Ben Kingsley), a creepy figure who resembles the Child Catcher from Chitty Chitty Bang Bang, but the evil vicious BoxTrolls who live under the streets of the city of Cheesebridge.

However all the stories about these monstrous, flesh eating trolls might be more fiction than fact and instead these "disgusting creatures" that many, including C-3PO, can't abide actually have more in common with Jawas.

They communicate in a similar language and are obsessed with junk and what they can create from it. All that's missing is a cry of "Utinni!".

Plus they actually raised the baby they took as one of their own and "Eggs", as he is known, will play a central role in a power struggle both above and below the surface.

The voice cast is very British and very good and helps to consolidate and bring out the best in its old-school fairy tale quality.

With so many companies opting to use CGI for their animated films, stop motion is sometimes seen as an old, tired medium that is too costly and time consuming, destined to end up on the scrap heap but as The Boxtrolls show, one person's junk is another's treasure.

4 stars< /b>